Regional Finalists 2024-25

This dish played a very important role in my life. I took inspiration from the dish Steamed Grouper. We would have this dish every Sunday with my family. This dish is an inspiration to keep me being grounded as a Chef to have a dish so simple but so complex. To remember that food doesn't need to be complicated to taste good and food is always meant to be shared. My dish is a showcase of what I have learned with my experiences without forgetting my Culture and upbringing as a Filipino-Chinese.

I want to present my Cantonese cuisine background. I have four years experience at various traditional Chinese restaurants. Dim sum and traditional Chinese food are central to my identity. I aim to showcase Chinese cooking and beautiful local dried seadfood by reconstructing classic dishes into fine dining plates. Lastly, I want to convey that culinary boundaries are blurring as techniques are shared globally. We can learn from other cuisines to achieve higher culinary excellence.

This dish began with my love of lamb, and the hope to highlight my Hainanese heritage. Lamb has been a staple of the Hainanese diet (i.e. Dong Shan Lamb) and through this menu, it would be featured alongside ingredients and techniques that link the East with the West.
Taking inspiration from the Spice Route, also known as the Maritime Silk Roads, I have utilised spices such as cumin, fennel, Sze Chuan peppercorns and ginger, all of which were known and used in antiquity and traded in Asia.

"Aai's Fish Thali" is my tribute to the coastal food traditions of Maharashtra and the women who preserve them through generations. By elevating familiar flavors such as amti, sol kadhi, wada, kokum, and seafood into a contemporary fine-dining expression, I celebrate heritage, memory, and sustainability. The dish reflects my identity as an Indian chef while showing how traditional knowledge can inspire the future of gastronomy.

The Shepherd offers his healthiest lambs, either for feasts or as a sacrificial meal every year by monotheists alike, in suit of Abraham's sacrifice to god. It is tradition to use a healthy lamb that is at least a year old. I wanted to honour this abiding tradition by encompassing the subtle yet rich flavours of the animal, complimented with locally foraged seasonal vegetables. This is an exploration of a harmonious dance of textures, temperatures, and flavours.

I invent this plate in honor of the hard work of my father and my mother. My father always work in the cereal world and this is a very hard work. He gives is life to this work to make shure we miss nothing. I also put carrot because when i was young my mother have a big garden with a lot of carrots and i dont really like them at this time. Now this is one of my favorite vegetable. Also the duckling is my favorite animal proteine so that’s why i wan’t to serve them. I hope you let me show you!

Through this dish, I want to express the meeting of Mexico and Germany, two places that have shaped my journey as a chef. Through white asparagus, hoja santa, Mexican pumpkin seeds, corn and mustard, I portray a shared field where tradition, identity and nature coexist. “Dos Mundos, Un Campo” speaks of growth, cultural exchange and respect for ingredients, showing how different roots can come together to create something new without losing their essence.

Born in Germany and raised between Mount Olympus and the Aegean, this dish moves between two worlds. It carries the salt, wild herbs and sea air of Pieria, beneath the mountain once said to feed the gods, shaped by myth, memory and the light of Northern Greece. Guided by the precision and restraint of Swabia, it reflects my belief that identity, tradition and memory can be carried forward through a more contemporary expression.

My dish reflects my journey between Ukrainian roots and life in Germany. Through venison, forest ingredients, local seasonal products and a zero-waste approach, I express memory, adaptation and connection to nature. The flavors combine Ukrainian traditions with the wild, earthy character of German forests. This dish represents the kind of chef I want to become — one who tells personal stories through conscious and modern gastronomy.

I would like to express a simple message through my dish, the reduction of food waste and pollution. Through my life experiences, between Italy and France, I combined the cultures and some of the traditional dishes, to me close, in one. I talk about classic preparation of both countries revisited on a contemporary way. I use only sustainable food like mackerel (using every part) for responsible fishing and seaweed in substitution of animal proteins. Work local, think global.

I would like to pay tribute to all the places I have lived, thanks to my family coming from many backgrounds. I chose a fish that I love. I think it’s a shame that most of the time not all the part of the fish are used.Food waste is something chefs all around the globe should fight and this is why I chose not to cook the filet. Deliciousness is everywhere.You will find everything I love in
the three cuisines: French, Lebanese and Ivorian.I wanted to show and share the cuisine close to my heart...

My dish associates two opposed universe: the "meaty" one from the Chateauneuf farm beef and the iodized one from the cuttlefish and the herring eggs
These three product prepared in their entirety will along the preparation and then degustation respond and feature them self. They will reveal their complexity and the deepness of their taste but still with a strong readability.
A key quest to the essential in the idea that “less it’s more” in this special social and environmental context.

On our plate, we unite the gastronomic tradition of Mallorca and Menorca, highlighting local products with a sustainable approach. We believe that every chef should work with what they have at home, respecting the environment. Our passion for Mediterranean cuisine drives us to create unique culinary experiences, combining tradition and innovation.

My favorite part of my childhood is the sea so that was my main inspira tion for this signature dish.I really want to transmite the ocean to everyone who tries the dish, especially because I'm from Viana do Castelo and we have several tradition related to the sea as getting up early and going to the beach to get seafood from the rocks.I remember the first time I tried a sea urchin, 100% sea.I want everyone to feel that flavour, that memory and get to know better Viana do Castelo by this dish.

My dish is inspired by the similarities between the foothills of the Chilean Andes and the north of Spain, especially Navarre. The freedom of the Chilean quail and the strength of the bull during the San Fermin festival represent the connection between these two distant lands. With local ingredients that must be used to the maximum, this dish brings me closer to home, allows me to discover its potential and motivates me to represent Chilean gastronomy in Navarra and the whole world.

I began cooking out of necessity, having grown up without a safety net. Then it became a language. Caruggio tells the story of a walk through Sanremo, from the sea to the mountains, along narrow alleyways that bring contrasts together. It uses only ingredients found along this route, chosen for what they are. To me, respecting an ingredient means applying the right heat at the right moment. I want to create a cuisine that is clean, plant-forward and visionary. Not as a trend. As a responsibility.

The recipe I propose represents my path: past, present and future.The eel is the most convivial ingredient of my homeland, cooked by a grandmother who thanks to it was able to gather everyone around a table. present in my Sardinia, worked and structured manages to give new variations. The bittersweet represents my present, the combinations, the olfactory references and above all intrigue with the taste, are the pillars of my current cuisine.

'Mappina' is a salad typical of the province of Cosenza. In Le ricette regionali italiane (1967), Anna Gosetti della Salda writes: “Take several lettuce hearts, wash them thoroughly, drain them and place them in a bowl; sprinkle them with small pieces of garlic and chilli pepper, salt and a little oil. Place a weight on top of the salad and leave it like this for two or three days in the refrigerator…” (p. 947). This historic recipe provides the starting point for an entirely plant-based narrative rooted in the flavors and traditions of Southern Italy.

My dish was inspired by acarajé, a traditional street food from the Brazilian Northeast. The message I want to convey is the symbol of resistance, conquest and freedom that it has represented for many women around the end of 18th century. Preparing and selling this food was one of the first female professions to emerge in Brazil, allowing many enslaved women to buy their own freedom and that of their acquaintances through the profits they made.

This dish is rooted in my heritage and in a tradition that forms part of my identity. The years I spent in Italy reconnected me with my childhood, pasta, the countryside and traditional butchering gatherings. Through the cappellaccio, puchero consommé and fermentation, in this case, broad bean miso, I seek to bring memory and contemporary expression together. After travelling the world, I came to understand that Argentina is often associated only with meat. I therefore want to showcase the richness of our thousands of kilometres of coastline and the potential of Patagonia through Argentine robalo, caught using artisanal methods suited to its behavior in the South Atlantic.

Volver is a return to my roots and to the flavors that shaped my childhood in Chocó. The socarrat tuile evokes my grandmother’s arroz atollado; the chimichurri recalls the herbs grown in azotea gardens that filled her kitchen with their aroma; and the coconut, chontaduro and fish represent my family and the place I come from. Through contemporary techniques, I seek to preserve this memory and carry it into the future, showing that tradition can evolve without losing its essence.

The dish presented by Alchemist restaurant, calling for a reduction in ocean plastic, has inspired me and made me realize that ocean pollution is not far from anyone. I live in Zhuhai, Guangdong Province, a coastal city with abundant seafood resources that is also affected by pollution. Therefore, I hope to use my dishes to raise awareness and urge people to protect the ocean.

I believe that the whole point of journeying far away is to return home with a deeper understanding of flavors. Like a pigeon travelling across mountains and seas, I left Anhui to pursue my culinary dream. No matter how far I wander, the warmth of family and the flavors of my hometown remain in my heart. Though I chase light thousands of miles away, my heart always finds its way home.

In Chinese culture, there is an old saying, "Eat what is in season," which means that the right time creates flavors, and if missed, one must wait patiently. Watching the ingredients in the liquid or the proliferation of fungi during the making of rice koji, I have been struck by the unique flavors these processes bring to food, reminding me of the preciousness of life. As a chef, I believe it is my duty to cherish this gift of life brought by time, allowing it to continue in a different form. I believe that this gift should not be used solely for profit, but should be shared with everyone, allowing them to experience its charm.

With this dish, I wanted to shine a light on modern Irish cooking, a combination of traditions and modern techniques. The Irish culinary heritage is firmly rooted in sustainable produce, an aspect I wanted to highlight when writing this recipe. Farming has always been at the heart of the Irish way of living, so it seemed befitting to base my dish on an animal that encompasses heritage and sustainability. Although perhaps a forgotten practice, dairy beef has always been part of our staple.

Fish and seafood is close to my heart and this is why I chose this as main components. Blue shelled mussels filter our waters and removes nitrogen and phosphorus, which prevents eutrophication and algae concentrations. Mussels doesn’t need any backing or dung. Mine are sourced from the Swedish west coast, by Janne Bark's mussel farms outside Ljungskile. I’ve also chosen to work with Swedish cod, locally and sustainably sourced.

Nordic Sea is a dish that focuses on sustainable ingredients. This dish reflects my culinary journey and who I am as a chef today. Combining fishing and cooking is fantastic. Something I often did as a child. Many fish species are now threatened by overfishing and pollution. I focus on cod, blue mussels and seaweed. I use MSC-certified cod from the North Sea. Farmed blue mussels that contribute to a better sea environment and seaweed counteract the negative effects of climate change.

Australia gifted me its world-class Angus beef, ocean-fresh squid, and sun-ripened produce. In return, I bring my Thai heritage, bold Larb, aromatic sauces, and place them alongside Chinese taro stuffing, Vietnamese rice rolls, and Mediterranean grape bites filled with date and goat cheese. This plate is what Australia tastes like: a country of extraordinary abundance, many cultures woven into one, and uniquely, beautifully itself.

This salad is very popular Colombian salad on the Atlantic coast in and we find it with the name clown salad, alluding its name to the bright colors when we mix all the vegetables.
I want to show to the world Colombian’s cousin, and how we integrate the different texture, flavours, colours and techniques from our rich cultural heritage, presenting a popular salad in a sophisticate way.

This dish is called Analogy from the river. The concept is an accumulation of values and experiences I have as a chef. This dish is my expression of my ethnicity on a plate. I intend to integrate applications of tradition and how it can stay resilient despite my migration to the other side of the world. I embrace this because this is what inspires me to visualize the futures potential to sustain life’s practices more than just the gastronomy.

My dish celebrates the tradition and sustainability of the Vipava Valley. Jota made from Turnip Tropinka, served in aluminum dishes, carries the flavors and memories of the harvest. The humble Turnip Tropinka symbolizes simplicity and homeliness. Accompanying it is the skin sausage Krotegin, bread made from grape seed flour, and smoked grape seed oil. The dish blends traditional and modern techniques. Each bite evokes memories of family, vineyards, and values, connecting the past with the future

A contemporary tribute to the whole suckling pig, expressed through a caramelized loin, delicate porchetta and crispy confit croquette. Granny Smith apple and sage bring freshness, while spiced onion purée adds depth. A Chinese cabbage roll filled with soy-glazed barley, pickled onions and roasted green garlic create balance and complexity. Pork demi-glace unifies the dish, celebrating craftsmanship, sustainability and respect for the ingredient.

It has always been impotant to me that we use every part of our ingredients to fight against food waste, that is why is use whole ducks.It significant to me that we also use the techniques of our ancestors for example preserving,foraging.I dedicate the dish to my family and my childhood.I grew up in the countryside where we kept animals. Duck was also an important part of the family meals.The treasures if the forest, the garden the wild plants were always part of our life.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

This dish reflects my childhood on my grandparents’ farm, where food was always seasonal and nothing was wasted. Sour cherries remind me of jam and chutney we made during cherry season, while cumin recalls the warm soups my grandmother cooked in colder months. Using the whole pigeon honors their philosophy of respect for ingredients, turning memories, tradition, and sustainability into one plate.

This dish is all about a recreation of a happy memory growing up and getting a nostalgic feeling. Cooking and food to me is all about a mixture of new discovery and connecting to a different place, a different time, a memory, a feeling. When I was growing up my mother would take me to my nanny's place and she would always be in the kitchen making something. Two standout dishes I remember always helping her with were her Veranicki's which are a Russian perogy and borscht. We would sit for hours chopping vegetables, stuffing veranickis, and spending time together at her table. The recipe for the dough is her fathers recipe and I wanted to do a bit of a modern take on the classic dough and by adding elements of borscht through dill, beetroots, and creme fraiche throughout the dish. The duck parts of the dish are a more recent memory of moving half way around the world to come work in London at The Ritz Hotel. One of the most memorable dish's that we serve at The Ritz is the Duck a la Presse. The theater and level of service makes this more than just a dish, but creates an everlasting memory to anyone who would order it. Even the people around would remember it, it's so special.

This dish is a walk through the garden — every part of the bird used, every element drawn from the land around it. It is rooted in years spent at The Chef's Garden in Ohio, where I learned that nothing is waste and everything has flavor. The whole bird mirrors the whole plant: nothing discarded, everything transformed. I want the person eating this dish to feel the same wonder I felt walking those rows — that food, at its best, is an act of attention.

I think that cooking in our future will be simpler in a way. I think the best food is created with us allowing our ingredients to be who they are, by being intentional with each ingredient we choose and how we decide to work with them. I use the term happy food not just when someone feels joy eating, but as the cook who gets to reflect on a time in their life because they got to cook their dish.

I have always been inspired by the way my family in Greece and Italy embrace food, especially coastal fare. In my professional career I have learned so much more about traditional French and Japanese technique, and through this dish, I have found an all encompassing way to convey my passion for food.

My cuisine champions a respectful approach to ingredients and local producers. I seek to make the most of every part of the animal to reduce waste and pass on genuine culinary knowledge. Through this dish centered on pigeon, mushrooms and potato, I want diners to experience the flavors of a Belgian autumn and enjoy a vibrant tasting journey designed to showcase each preparation and tell a story over the course of the meal – all with sincerity and a spirit of sharing.

My roots are in emmental. In the past this was a classical dish for special occasions like birthdays and christening. I re-invented this recipe new style incl. Eco-conscious eating. I used products as in the earlier days like Lamm, Safran, cream, dried fruit but in another combination and compilation.

This dish represents a combination of my view, love and upbringing with food. being thought french cuisine and working with locale produce, loving the purity of japanse food and having roots in indonesia. I strive for balance in flavours and combining the east with the west in unexpected ways. I like to think outside the box with produce without losing the story behind the dish.