Regional Finalists 2024-25

My favorite childhood dish is Assam Laksa. To me, the beauty of this dish is the combination of flaky fish melding together with the herbaceous, acidic, spicy, sweet umami broth with nuggets of larger sized fish meat. My version of Assam Laksa utilizes homemade traditional rempah enhanced with fish garum & fish-bone stock & laksa leaf oil with a mosaic made of Kingfish and Farce using the fish trimmings served with Ginger Flower Sorbet and Fish Skin-Yuba Tuile topped w Native Herbs and Salsa.

"Humans and nature are not separate; they create value together. Across Asia, time becomes value through drying, fermentation, aging, and brewing. In Japan, UMAMI captures a part of this wisdom.

By reinterpreting Ikameshi—where sea squid meets land rice—I express this time culture in a five-hour competition. Through the cycle of sea, land, and sky, the dish honors the lives sustaining it, from squid to bees, hoping it continues.

To me, UMAMI is when nature, time, and human wisdom converge."

I chose to create this dish because it represents one of my favorite childhood flavors. My goal was to preserve the authentic soul of Thai cuisine while presenting it in a more refined and contemporary way. Inspired by my experience in Italian fine dining, I incorporated selected Italian ingredients and techniques to create a balance between tradition and innovation.

This dish is an homage to my mother and the time we spent in Italy together. I wanted to showcase a variety of ingredients and techniques that reminded me of Italy as well as things that she would enjoy. She is such an important part of my life and when she took me to italy, I feel like it transformed myself as person as well as the things I was passionate about. My dish is completely vegetarian because I believe in a more veg-forward lifestyle which is more sustainable for the environment.

I invent this plate in honor of the hard work of my father and my mother. My father always work in the cereal world and this is a very hard work. He gives is life to this work to make shure we miss nothing. I also put carrot because when i was young my mother have a big garden with a lot of carrots and i dont really like them at this time. Now this is one of my favorite vegetable. Also the duckling is my favorite animal proteine so that’s why i wan’t to serve them. I hope you let me show you!

I am originally from China, my cooking philosophy is using French, Italian, and Japanese technique to showcase Chinese favor, modern Chinese food. In Chinese Sichuan cuisine, we will use rabbit as one of the main proteins. One of the most popular dishes in Sichuan cuisine is stir fry rabbit with Sichuan pepper and peanuts. I am using French technique to wrap rabbit meat, Chinese sausage, foie gras to make rabbit ballotine.

With this dish, I present my homeland on a plate and showcase my Bavarian/Franconian roots with typical components from pub cuisine. My motto is to make pub cuisine special and fresh in its simplicity. Classic Bavarian cuisine is known for its heaviness and richness. However, I want to show that it can also be dynamic, light and appealing without losing its traditional charm.

My dish is intended to showcase the colourful diversity and wonderful flavours of my homeland. The idea of my dish is based on my experiences and the various inspirations of my career. I want to put my homeland and our great produce centre stage.

I wish to inspire people to reconnect with their neighborhood. Regionality is not just practiced, it is lived! We need to encourage kids to engage in gastronomy. Let's show the next generation the joy of serving guests dishes made from locally-sourced ingredients, fostering connections with friends in the local farming community. Hopefully, kids today, through my cooking, will discover that, as my grandma always says: 'Where there's a will, there's a way.' Let's create paths worth taking.

‘Quanto sei bella Roma’ is a tribute to my hometown, Rome. The title comes from a famous song about this city that for me is the most beautiful in the world. I left Rome about 10 years ago to grow personally and professionally, but my heart will always belong to it and I am happy to represent it with a dish in such an important competition. It is a traditional recipe that my grandmother used to prepare for me (Coda alla vaccinara) and which I propose in my own way, gastronomically speaking.

This dish is a memory of my childhood Sundays. I transformed breadcrumbs into 'pasta crumbs' to evoke the scarpetta I’d do in her Piennolo tomato and nepitella sauce. The pulled rabbit meatball, breaded in dried pasta powder, recalls how she would shred the finest meat over my pasta by hand. The dish is completed by the soffritto, the soul of Naples, and a herb-crusted rib that captures the true essence of the rabbit.

My cuisine celebrates the dialogue between terroir and travel. I prioritize French ingredients sourced from local producers, while imported products are used only to enhance these local treasures. Through this plant-based dish, I aim to show that vegetables can be both flavorful and deeply satisfying. Celeriac is used in its entirety, elevated by farmhouse miso and tonka bean. The satellite offers a complementary interpretation through different textures and expressions.

500 characters are less than I imagined so I'm retyping everything and trying to be shorter I want to say with this dish that "tutto il mondo è paese" because from an idea of an italian dish (risotto ai frutti di mare), using spanish and mexican products and preparation I'm making a dish that is present in a different way in the three countries (arroz a la tumbada in mexico and paella de mariscos in spain).
As well I choose to use bivalves and seaweed because they are sustainable products.

The dish is a representation of my origins, I don't have a Spanish culinary tradition because my mother was born in Venezuela, and my father in Germany, although my grandparents and I are Andalusian.
I express in this gastronomic representation what I consider to be my causalities, the origin of my parents has had a direct effect on my concept of gastronomic culture.
There are three culinary elaborations with the same value: an Iberian consommé, a hallaca of cuttlefish and a red mullet cooked in a flame...

I see the future of cuisine as a dialogue between cultures, tradition, and conscious choices. This dish reflects that vision: two-colored pasta filled with fish, shrimp, and sun-dried tomato, bringing together flavors of the sea and different culinary influences. The shrimp bisque with coconut milk and dendê (palm oil) adds depth, while cashew crumble and fish fumet espuma enhance texture and balance, allowing the ingredient to remain at the center.

Through a reciprocal Surf & Turf, grey mullet, a humble fish, is enhanced by leche de tigre and a crunchy polenta crust, paired with the rustic intensity of cacciatora sauce. In the side dish bold carpaccio meets the savory freshness of mullet bottarga sauce. The plating setup is crafted in 3D from recycled materials. Moving from the sea to the lake, the entire concept aims to raise awareness about sea pollution through the powerful medium of cuisine at my disposal and describes my own identity.

My dish begins with an anthropological reflection. We live in an age that accelerates and standardizes. Food often follows the same path, losing memory and connection to place. This dish does not look at the past with nostalgia, but interprets an almost vanished ecosystem—carp, rice fields, and farm animals—as a lens for the present and my interpretation of rural cuisine today. In a world that rushes, I choose to slow down.Time is essential to understanding a territory and the knowledge it hold.

I chose baby goat, because in addition to liking it a lot, it was the first animal I cooked in my first work experience, we used to stew it with potatoes without any knowledge of the various cuts of meat, it was cut into pieces and cooked in a pot. With this dish I would like to encourage many young people like me who come from experiences like mine, that with study and perseverance you discover other ways of presenting a cut or an animal in general.

My dish was inspired by acarajé, a traditional street food from the Brazilian Northeast. The message I want to convey is the symbol of resistance, conquest and freedom that it has represented for many women around the end of 18th century. Preparing and selling this food was one of the first female professions to emerge in Brazil, allowing many enslaved women to buy their own freedom and that of their acquaintances through the profits they made.

This dish represents the diversity from Brazil, using ingredients that match each other and create a comfort space, just like a forest. In the plate is served culture, tradition, and influences from my Italian family. Putting my heart and belifs into a plate.

Volver is a return to my roots and to the flavors that shaped my childhood in Chocó. The socarrat tuile evokes my grandmother’s arroz atollado; the chimichurri recalls the herbs grown in azotea gardens that filled her kitchen with their aroma; and the coconut, chontaduro and fish represent my family and the place I come from. Through contemporary techniques, I seek to preserve this memory and carry it into the future, showing that tradition can evolve without losing its essence.

Every cooking session brings back Jilin’s New Year dishes: guobaorou, braised eggplant and pork skin aspic. With Western, Japanese and French skills, I reinvent these classics.I sous-vide pork loin coated with puffed quinoa, served with umeshu sauce and prickly-pear cold broth. Eggplant comes braised or charcoal-mashed, while pork aspic simmers in bone stock seasoned with soy, chilli and garlic oil.Hometown taste inspires my fusion innovation as a chef.

This dish is my tribute to traditional Huaiyang cuisine, interpreted through the culinary language I know best. As a Western chef, I combine Chinese techniques and heritage with familiar Western methods, from consommé clarification to risotto emulsification and ballotine. Rather than reinventing tradition, I aim to create a respectful dialogue between cultures, showing that curiosity and craftsmanship can bring new vitality to classic flavours.

I have been training in the culinary arts since I was 14 and that set me on my career path. It allowed me to gain a thorough understanding of Western gastronomy and culinary techniques. But I have never veered too far from what is familiar to me; Chinese cuisine is etched in my memory and I am mesmerized by it. Coupled with foreign elements, it has sparked whimsical surprises in my style of Chinese cuisine.
 

This dish represents how we can use different parts of one protein source and combine this with Estonian wine. I am also using lingonberry and moss from Estonia, it is hand picked from the forest near where i work every day.

The Silent Flock – A Life Through Lamb explores the life cycle of a sheep as a reflection of Ireland’s journey across generations. Lamb, hogget and mutton represent youth, growth and maturity, mirroring my grandfather’s generation of necessity, my father’s generation of change, and my own generation of opportunity. Rooted in whole-animal cookery and the Irish landscape, it honors the past while looking confidently toward the future of Irish cuisine.

Coming from an island, I strived to do products from there, representing the producers I grew up with. This dish combines products from different social rank (mackerel-langoustine). Some are my background, modest countryside, some are my present ‘palace cuisine’. Married together, proves that there is no rules. Everything can be good. There is no straightforward path — that embodies my life. It is also the style of cuisine I aim to go to: not having anything fixed or pre-decided.

This dish reflects my journey from Nepal to Australia and how migration deepened my understanding of Nepalese flavours beyond recipes. Growing up, sustainability, preservation and zero waste were not trends but part of everyday life. Every component is inspired by flavours from my childhood — mustard oil, timur, tea, fermentation and smoke. Through this dish, I reinterpret those memories through fine dining to share the warmth and depth of Nepalese flavours with the world.

Growing up in New Zealand shaped my respect for seafood and the ocean. Inspired by the cultural significance of pāua and the values of stewardship that underpin New Zealand's coastal identity, this dish celebrates lobster and abalone in their fullest expression. Through classical technique and whole-animal utilisation, from sauce Américaine made from the shells to the pāua liver xo. I want to honour both the ingredient and the place that shaped me.

The story of the dish tells my story with the cuisine. I use a culinary technique from each chef I have worked with, while adding my personal touch that I associate with the products of my native country. Which gives a textured dish, full of color with this full-bodied, powerful, fragrant juice which gives character to the dish. This dish testifies to my love for my profession, the ups, and downs, the sacrifices I have had to make for the sole purpose of living my passion.

In a world of abundance, we need to look at a more nursing future. Sourcing ingredients has become paralysing for our planet. Due to over-fishing and over breeding, there is a big impact on the bee lives that provide us reproduction, which is necessary for our lives. In my dish, I combined sustainable farmed sea bass, free range pork and ecofriendly bee products from our little country. The dish shows how important sustainability is and also how the elements of nature are and can be connected.

Inspired by my grandmother’s rabbit stew, this dish reflects my journey from childhood memories to contemporary fine dining. Using the whole rabbit, each preparation represents family, sustainability, nature, and my evolution as a young chef, combining emotional storytelling with modern gastronomy.

Through this dish, I would like to express my Hungarian roots and the culinary identity of my region, Eger. The suckling Mangalica pig represents tradition, heritage, and respect for local ingredients, while cabbage reflects the simplicity and resilience of Hungarian cuisine. My goal is to present these humble elements through a modern fine dining perspective, combining history, emotion, and contemporary technique on one plate.

This is the dish that I first wrote down 4 years ago when I was planning to do my first ever pop up, which unfortunatelly for one reason on another I never got round to do. Now revisiting it with different techniques that I've learned along the way I'd hope to be able to present to you a well balanced and complete plate. I chose the flovours of celeriac and apple becuase I think the combination is delicious. I'd like to express how delicious vegetables can be.

I want to showcase everything I have learnt as a chef so far. I think doing a classical dish like this is unique and modern. It really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come as a chef.

My dish is a take on the classic Spanish Suquet, it being the first dish I learnt to prepare. I grew up in India, a country defined by it’s food, but, as a chef, I have always tried not to be defined by my background. Working with traditional Spanish cuisine is inspiring me to believe that food should represent a chef rather than being confined to the expectations of what a cuisine should be. I have chosen to elevate a traditional dish, with elements inspired by my heritage.

This dish represents my love for classic techniques and exploring new flavors while minimizing waste and creating a unique dining experience. I fell in love with Country Ham while living in Charleston, but we never had a good use for all the scraps. Substituting the Country Ham scraps for the more classic dried shrimp or scallops creates a slightly smokier XO that bridges Chinese cuisine and the American South, which is important to me- bridging gaps between cultures through food.

My intention was to use every piece of an often-overlooked ingredient, prepare it in a variety of ways, and build depth with fermented products. Leek hearts were steamed and marinated, more fibrous leaves were braised for pasta filling, inner leaves were made into a mousseline with leftover quail egg whites, the leek tops were made into an oil, a few leaves were fried to make leek hay, and the remaining scraps were made into an ash to color the pasta dough. Paired with miso, amazake, and shoyu

I want to express the courage to work with nonconformity, taking a classic plate form my country with products that we barely use and remade it with new techniques and thoughts but keeping the amazing flavor of the main components so you can transport yourself to Catalunya.
The message is to bring back the forgotten classics and the story behind them.

Through this vegetable dish, the idea is to show that a simple product can become a complex and flavorful dish on its own. You can get a range of different flavors and textures through lacto, cooking, or the combination of products.

Expressing the connection between the interior of Portugal and the Atlantic coast. Iberian black pork represents the land and my rural roots, while the clams and Bulhão Pato reflect our maritime heritage. Bread at the table can never be absent and is always there to soak up the sauce.

By combining traditional flavours with contemporary techniques, I seek to honour the ingredients and culture that have shaped me as a chef, showing that Portugal guides me in every sense: personal, culinary and gastronomic.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.