Regional Finalists 2024-25

I sought to blend the flavors of Balinese cuisine with the memories of my roots in Tholen, a small village in the Netherlands, Zeeland province, historically renowned for its mussel culture. Now I am located in Bali, exploring, and tasting those amazing dishes and flavors. In this fusion, I weave together the essence of Bali and Tholen, capturing the essence of two worlds in one dish. It's a tribute to my journey, where the flavors of my past meet the spices of my present.

My grandmother is from North Korea. She came down to South Korea during the Korean War. She was a housewife, but also my chef. She cooked a lot of North Korean food. Among them, my favorite was Pheasant dishes. It's a main signature dish that unravels these foods in my own way. My grandmother's cooking for me was a memory and happiness for me. With those memories, I give people happy memories and dishes and my dream is to become a chef. If She was alive, I would like to cook this for her.

I choose this dish because my mom used to cook this for me and now I cook it for my son. I wan to represent thai heritage dishes in a modern way, to reflect that if the products are treated with love and respect, so the dish will be. I refine the flavours and techniques to elevate it even more, to show the proud heritage of the Thailand ingredients and recipes.

This dish reflects my life and experiences—a blend of French culinary skill and comforting home flavors from Canada as a multicultural nation. Montreal's Chinatown was my sanctuary, sparking my fascination with diverse culinary traditions, inspiring me still today. Cooking, for me, is love and passion, rooted in respect—using every part of ingredients, minimizing waste, letting flavors shine. Join my journey as a French-Canadian chef celebrating diverse influences shaping my culinary identity.

Through my dish I am showing my journey throughout my years in the culinary industry. The last few years I have learned many skills that I incorporated into my dish. Such as making pasta, broths and foams as I did on my first station. To butchering fish and making mousses which did after switching sections. With the message that perfection is a lot of little things done well, learning something each day big or small, one day you look back on where you started and what you are doing now.

This dish is an homage to my personal culinary journey. Being of Chinese Filipino decent, this dish is a culmination of the influence other countries have had on Filipino cuisine. I want to use this opportunity to showcase a beautiful bird sourced locally from Ontario,while flaunting a contemporary version of a classic dish replacing the pork. I’d like to think of myself like this Sinigang dish, a pinnacle of different influences and techniques I've learned from the different Chefs in my career.

My dish is intended to showcase the colourful diversity and wonderful flavours of my homeland. The idea of my dish is based on my experiences and the various inspirations of my career. I want to put my homeland and our great produce centre stage.

I wish to inspire people to reconnect with their neighborhood. Regionality is not just practiced, it is lived! We need to encourage kids to engage in gastronomy. Let's show the next generation the joy of serving guests dishes made from locally-sourced ingredients, fostering connections with friends in the local farming community. Hopefully, kids today, through my cooking, will discover that, as my grandma always says: 'Where there's a will, there's a way.' Let's create paths worth taking.

Tikka Masala - a dish that started my culinary journey. It captivated me as a chef's apprentice with its layers of flavor, the first dish I mastered and the one that won my wife's heart, as the first dish I cooked for her. For this competition, I present it in two ways: whole, to enjoy it fully with all flavours present. But alongside it, a deconstructed version with all elements still present and polished, presented to highlight its individual mastery.

Through this dish I wanted to put at the center of the plate a region which is rich with simple products. Sturgeon is not usually valued for its meat but for its caviar, it is not an easy fish to work, but I wanted to put it in the spotlight and use the caviar to season it only , give him back what belongs to him, with respect for the products and the producers.

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

This dish for me represents Irish culture married with classical french techniques,as an Irish chef in France it's something that's very important to me.I break down the elements of the whiskey making process into individual steps, and that utilise those steps to inspire a key ingredient on the plate, all to accompany Irish Beef Tongue."Whiskey loosening the tongue" is an Irish phrase for when we drink whiskey it helps open conversation, I'm playing on that phrase as I braise the beef in whiskey.

On our plate, we unite the gastronomic tradition of Mallorca and Menorca, highlighting local products with a sustainable approach. We believe that every chef should work with what they have at home, respecting the environment. Our passion for Mediterranean cuisine drives us to create unique culinary experiences, combining tradition and innovation.

With this proposal, what I am trying to do is make the most of a product of such quality as hake. Hake is one of the most consumed foods in Spain by the most humble families. In this dish I use all parts of the hake to avoid throwing waste in the trash. The garnishes are also made with cheap products simulating how poor families would make them. The dish has three preparations using a different part of the hake in each of them.

From head to toe. That's what came to my mind when I decided that my dish should be mainly pork. Pork is a product that shows us that everything can be used and that nothing should be wasted. At the same time, most pork-based preparations require long cooking times and the patience that goes with it. For me, making the most of time and time are the indisputable pillars of any kitchen, and that is where this dish I am presenting has come from.

I chose baby goat, because in addition to liking it a lot, it was the first animal I cooked in my first work experience, we used to stew it with potatoes without any knowledge of the various cuts of meat, it was cut into pieces and cooked in a pot. With this dish I would like to encourage many young people like me who come from experiences like mine, that with study and perseverance you discover other ways of presenting a cut or an animal in general.

My "Ossi di seppia" draws inspiration from Montale's work, where bones, wandering among the waves and seemingly worthless, symbolize a miserable yet significant existential condition. Like the small things in daily life, they conceal intrinsic value and beauty. By using every part of the cuttlefish, even those considered scraps, I aim to showcase their importance and convey the significance of circular cooking to reduce waste and valorise each ingredient.

My journey starts with sweetbread, a beloved traditional dish from my homeland, often used in my professional experience. The “in carpione” pumpkin is prepared like Lake Garda fish. The langoustine is leveraged in its entirety, as the head is filled by an orangette and sided by a coconut milk-based drink that enhances its minerality. I designed this 3D-printed compostable set, which evokes the sweetbread with its texture, to raise the commensal’s awareness on the consuming of raw material.

Emerging Forest was born through memories I have of my childhood with my grandparents and the teachings they gave me about the products that nature gives us and which many of these we have forgotten, as well as many gastronomic techniques. That is why I decided to use rabbit, a protein that has been forgotten in our gastronomy. That is why I decided to diversify this protein by giving it many uses and using it 100%, creating awareness for the new generation.

As a proud young chef from Mexico, I capture my roots using local ingredients, intertwining cultural traditions with global techniques. Inspired by Oaxaca's rich culinary heritage, my dish showcases our identity, drawing from childhood memories. This creation reflects the vibrant flavors of Oaxaca, honoring our traditions and the essence of my hometown.

Panamanian cuisine is a fusion of indigenous, African, Spanish and Asian influences. The Afro-descendant cultures, especially in seafood, and the indigenous heritage of the Guna, Ngäbe-Buglé, Emberá and others, are vital to our culinary identity. Through this dish, I would like to give you a taste of our ethnic heritage. From our indigenous groups to the African slaves, this dish represents a taste of our gastronomic mix.

Inspired by the first book of traditional Chinese medicine, "Huangdi Neijing," which states that food is food when eaten on an empty stomach, but medicine when consumed by patients, I have chosen medicinal herbs such as Poria cocos, japonica rice, Gastrodia elata, and Phyllanthus emblica as the main ingredients, complemented by traditional handcrafted tea. This has led to the creation of a pure vegetarian dish, embodying the concept of food and medicine sharing the same origin.

This is a modern culinary expression that combines local Sichuan ingredients with traditional French cooking techniques. Through this dish, it showcases the exchange and fusion of different regions and cultures, highlighting the harmony and balance of Sichuan's natural environment. Fresh seasonal bamboo shoots, sun-drenched Daliangshan yellow potatoes, and the unique flavor of wood ginger are used, aiming to express the skills and aesthetics of modern cooking through traditional French methods.

I express the fusion between two cultures, Chinese and Italian. The dish is composed of childhood memories where every Sunday as a child I cooked with my grandmother "Spaguetti pomodoro", I grew up with the taste of this food and I tell this story with Chinese elements, peppers from the Sichuan region, which I transfer to the tomato sauce. I replace the "grano paste" with bamboo, from southern China. I follow my dish with crostini in it there is osmantus that reminds me of the Chinese spring.

With this dish, I want to show that worldly flavors can be achieved with products from our own country or region, promoting sustainability and supporting local farmers and suppliers. This dish is entirely based on vegetables and fruits, and contains no animal products. By doing this, we challenge ourselves and demonstrate that the same flavors can be achieved without using animal ingredients.

Through this dish, I aim to evoke a sense of culinary heritage and connection to Sweden. The lamb symbolizes tradition and sustenance, reflecting the rich history of pastoral cultures. Each bite tells a story of resilience and harmony with nature and culinary craftsmanship. It embodies a cultural identity deeply rooted in reverence for quality ingredients and time-honored cooking techniques.

This dish represents how we can use different parts of one protein source and combine this with Estonian wine. I am also using lingonberry and moss from Estonia, it is hand picked from the forest near where i work every day.

My goal with this dish is to demonstrate my culinary heritage, trying to showcase corn as the main ingredient. Corn is much more than a simple food in Latin America and trying to exalt it from my cuisine is the best way to enhance my background. On the other hand I want to show the great potential Australia has in terms of ingredients. So, with this dish I have decided to make one of the traditional Colombian dishes mixed it up with Australian ingredients.

In New Zealand we have a large number of introduced pests like wild deer that damage our native flora and fauna. By using wild venison we can create an economy for conservation by giving a financial incentive for the pest control. Hunters can sell the meat and chefs can utilise a delicious clean natural protein in the kitchen. I want to show a way to use the whole animal by ulatising the offal & bones in an approachable way for customers. The more we sell creates more money for conservation.

As an immigrant, moving from South Korea to growing up in Ireland, one of the challenges was the cuisine. I went from having rice with lots of different sides (banchan) such as kimchi, to having a meat and two vegetables. One of my earliest food memory is going to my friends house and trying bacon and cabbage. I remember the boiled salty pork and the sautéed cabbage with mustard and some steamed potatoes with butter on top. So I wanted to do a dish that combined the two different cultures.

The Pig's Alms is a sacred ritual deeply rooted in our country's folklore and tradition, people have forgotten about what it means, it is supposed to be about honoring and showing gratitude toward the animal that has given his life for us to survive. I would like with this dish to bring attention to this lost respect towards nature and what it offers us.The dish's flavours represent my cultural gastronomic heritage and origins, the taste of my home,of my childhood and my memories.

I would like to present my version of the most popular dinner in Poland, which is why I called it Sunday dinner at grandma's. When creating Dania, I was guided by Polish and regional traditions. I want to show that our wonderful home cooking, served in a competitive manner, can be very interesting and tasty. When i working in the kitchen, I follow the zero waste principle, which is why my plate includes elements such as potato skin or the inside of a cucumber, and my plates contain meat skin.

The inspiration behind this dish stems from deeply rooted memories of my childhood visits to my grandmother's home. At the heart of her cooking was her rooster dish, a testament to resourcefulness and culinary creativity born out of necessity. In the old times, when resources were scarce, my grandmother relied on every part of the rooster to create the family meals. Even though the dish is now adapted to fine dining techniques, I am transported back to those moments, the essence of home.

Scallops & samphire are the flavour of the galette I was eating as a kid on Brittany's coast when my family was going to a "crêperie", this is why I have chosen 3 major ingredients: scallops beautiful seafood from Scotland (where I am living), samphire foraged along Scottish coast, and buckwheat reminder of the "galette de blé noir" dish of my childhood. Also by using the entirety of the scallops through the dish I want to express the importance of going toward a zero waste way of cooking.

I designed this dish as a homage to my wife and the restaurant we dream of opening which will fuse our two cultures together, NZ and SA, in a fine dining setting. I wanted to pay tribute to the lineage of bakers in my family by serving this dish with a bread, 1/2 Rewena, 1/2 Mosbollejtie, baked together to become one. I chose venison as it reminds me of fond childhood memories of hunting with my family, it's filled with a farce rolled in a South African boerewors spice to further weave our story.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

Growing up in Chile, I’ve always appreciated the sea. With over 6,000 kilometers of coastline, Chile introduced me to the power of fresh fish and seaweed. Working in fine-dining restaurants in Paris and New York, I’ve learned that the fish industry also leaves an abundance of food waste. With this dish, I am using almost every element of my favorite fish: the Shima-aji. I’d like to inspire people to begin a new relationship with food to appreciate all that a fish has to offer.

I have always been inspired by the way my family in Greece and Italy embrace food, especially coastal fare. In my professional career I have learned so much more about traditional French and Japanese technique, and through this dish, I have found an all encompassing way to convey my passion for food.

I would like to show my background in culinary arts by showcasing what I’ve learned and experienced in my time in this industry. Showcasing new American cuisine that celebrates all cultures and techniques.

I started my career as engineer, then 3 years ago, I choose to travel and work as a cook. My cuisine was molded by that. I discovered many cultures and peoples that inspired me because they were so proud to share food that they grow in their environment for years. Back home, I want to do the same. Cook a Sunday meal that brings back childhood memories with my grandparents in Moselle, a poor farmer's dish: La Potée Lorraine. With only local product and twist it with my favorite, Mirabelle Plum.

I was inspired by the future of global nutrition: I asked myself a simple question. Where is humanity going? In terms of evolutionary nutrition and fine dining I created this vegetarian course with the reflective purpose of having an eco-sustainable impact on planet earth. I was inspired in the construction of the dish by my homeland Puglia, in Italy, and I created it in a contemporary key.

I created these dishes by reminiscing about the morning's picking. The first thing we did in the restaurant before setting off to pick mushrooms was to drink our coffee. I made my first plate with mushrooms, coffee and chocolate, with a few crisps to remind us of our foraging trip. My second plate is to take you with me on a foraging trip, to walk in the forest and find all the things you can find in the woods.