Regional Finalists 2024-25

Growing up in Kuala Lumpur, Malaysia, my food education began with family trips to the nearby Da Pai Dang @Taman Midah where we bonded over many traditional dishes from various hawkers. My dish aims to sensibly capture the authentic flavours of my favorite street food and bring harmony to them on a plate through my own reinterpretation using my favourite ingredient that I like to cook with, Pigeon, as the star alongside local ingredients whilst practising sustainable zero waste cooking

I consider that the food with genuine sentiments is the most delicious, but at the same time, the most challenging to make— the cuisine that tells a story. Through my cuisines, I want to share with people the story weaved by my experience of travelling, precious memories and the island have nurtured me and raised me up – Taiwan. I wish my guests, by eating the warm delicacies, can be moved and realize that their days can also be pleasant and heart-warming.

I chose to create this dish because it represents one of my favorite childhood flavors. My goal was to preserve the authentic soul of Thai cuisine while presenting it in a more refined and contemporary way. Inspired by my experience in Italian fine dining, I incorporated selected Italian ingredients and techniques to create a balance between tradition and innovation.

Receiving whole deer every fortnight, I noticed that the unused offal was being wasted. So I decided to put them to good use in a dish to raise awareness of food waste. My aim is to promote responsible and sustainable cooking, reflecting my passion for gastronomy and my values of respect for natural resources.

“Second Generation” expresses my journey as a second-generation Canadian chef shaped by Caribbean and South American roots. Inspired by memories of cooking beside my mother and grandmother soaking salt cod, cleaning live crab, and preparing sorrel drinks, the dish honours the women who shaped me. Through modern technique and personal storytelling, I want to show how heritage, resilience, and diverse voices can help shape the future of Canadian gastronomy.

This dish only uses sustainable ingredients that are locally available in the winter months. When most restaurants are relying on imported produce, local farms are still providing us with root vegetables and apples. On the rocky beaches, the oysters become plump and sweet. I hope to communicate a sense of place and a sense of time, and to show that local eating goes beyond the bounty of the summer months. In the pared-back simplicity of winter there is still beauty and flavour to be found.

Through this dish, I want to express the meeting of Mexico and Germany, two places that have shaped my journey as a chef. Through white asparagus, hoja santa, Mexican pumpkin seeds, corn and mustard, I portray a shared field where tradition, identity and nature coexist. “Dos Mundos, Un Campo” speaks of growth, cultural exchange and respect for ingredients, showing how different roots can come together to create something new without losing their essence.

The Char is a fish which lives directly in our alpine lakes in Ladis. So the main ingredient stands for my home town. The char is served in 2 different styles. Once as "Cordon Bleu" and once stained. With the dish i would like to show, that it´s possible to connect typical ingredients and tastes from my home town with tastes and ingredients from all over the world. So the whole world on "one plate".

This dish symbolises the union of Latin American and Bavarian traditions, reflecting my culinary journey. By blending these rich cultures, I create a bridge that unites people through food. It represents my passion for merging vibrant Latin American flavours with hearty Bavarian comforts, celebrating the unique histories and identities of both. This fusion cuisine showcases my belief that food can unite diverse worlds. My philosophy of honouring traditions while creating harmonious experience

A Chef is someone able to forge a connection between times and who can intertwine the strings of time to create something beautiful. Food is central to our sense of identity. The way any given human group eats helps it assert its diversity, hierarchy and organisation, but also, at the same time, both its oneness and the otherness of whoever eats differently. I wanted to create a dish that reflects my background who couldn't think i would love pigeon.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

Two fond memories from growing up was the excessive amount of celariac my grandma used to produce in her garden, and sailing off the west coast of Scotland and stopping off at some of the finest seafood shacks in the world eating some beautiful scallops . That's why the dish came to mind for my signature dish.

I would like to express a simple message through my dish, the reduction of food waste and pollution. Through my life experiences, between Italy and France, I combined the cultures and some of the traditional dishes, to me close, in one. I talk about classic preparation of both countries revisited on a contemporary way. I use only sustainable food like mackerel (using every part) for responsible fishing and seaweed in substitution of animal proteins. Work local, think global.

This dish gives nobility to the sturgeon by placing it at the centre of the plate, with the caviar playing a secondary role as an accompaniment. I love the idea of pairing the fish with the highly prized egg it produces. Born to two young parents, I grew up between Sologne and Provence; by combining the flavours of Douglass, pine kernels and artichokes, as well as remembering the tian my grandmother used to prepare for me and my love of freshwater fish, I'm showing my origins.

I would like to present this dish because it is the first dish I have offered in a starred restaurant. It is close to my heart because it took me a lot of time and trials to achieve the expected result. In addition, it represents for me a childhood memory. Indeed, my father is a baker and pastry chef. When I was little, he made pissaladières every day. I ate it often, I always loved it. Through this dish, my wish was to sublimate my father's pissaladière.

I'm Osvaldo, and today I'm presenting a dish that pays tribute to trout, one of the most prized ingredients of the Aragonese Pyrenees. Through a cuisine rooted in respect, sustainability and locally sourced ingredients, I make the most of every element with care and purpose. My goal is to preserve the fish’s natural character while creating harmony across the dish, reflecting a thoughtful and responsible approach to cooking.

My dish is inspired by potaje de berros, a traditional Canary Islands watercress stew that embodies the region’s rural cuisine and collective memory. Using Tenerife kid goat and a zero-waste approach, I reinterpret its key ingredients—watercress, gofio, cheese, pickles and broth—through a contemporary lens. The dish celebrates place, seasonality and local producers, showing how humble cuisine can evolve into fine dining without losing its identity or authenticity.

I chose this dish because it reflects my roots and the story of a cuisine built on resourcefulness and memory. The sausage represents popular tradition, while galantine, born in France and once served at royal tables, brings technique and elegance. As a Madrid native working at El Bohío, I wanted to pay tribute to Madrid and Castilla-La Mancha through a dish full of identity and emotion.

The memory of an emotion lives on in this dish. It takes me back in time, to when my mom used to prepare it in our family restaurant. At the same time it allows me to look ahead, in search of new paths linked to my ideas of sustainability with little waste. Questioning memories to create my interpretation, in full respect of raw materials. The dish talks about who created it, where it started from and what it wants to tell.

With this dish, I would like to express the concept that the replacement of animal protein with vegetable protein, allows the dish to have an equal taste, thus reducing the environmental impact, being also environmentally friendly. I hope, in this way, to succeed in approaching all food intolerances and pathologies that do not always allow the guest to feel free and involved in the free and varied choice of multiple dishes.

Growing up in the province of Bergamo with my grandmothers, who were born and raised during the war, they always had the philosophy ‘ the butcher throws nothing away of an animal’. A thought that made me reflect on how many different ways there are to make full use of all that a raw material can offer us. This is why I chose to use a rabbit in its entirety and develop the dish starting with the use of a few kilos of carrots, thus managing to have no waste.

I see the future of gastronomy as the ability to transform memories into impact. Chefs have a responsibility to preserve identities, create value for producers and artisans, and build bridges between cultures. Memorias was born from my journey from Peru to Costa Rica. Through this dish, I honor my roots and give a voice to the hands behind every ingredient, demonstrating that true innovation is born of respect for origins and a commitment to future generations.

On this dish I want to express the life and customs of the first inhabitants of Paraguay. hunters, fishermen, gatherers and growers, showing that with products from the Paraguayan soil, which nature gives us by applying production techniques with adequate knowledge, they can be served with great pride.
The diet of the first inhabitants was based on cassava, corn, sweet potato, banana, vegetables and fruits.
They used hunting and fishing.

For this contest I wanted to create a dish that had the essence of my country. For this, use several products that are not commonly used in Colombian haute cuisine but giving them a transformation, respecting their essence that reaches all palates, extolling their properties. All these foods have a great importance in the daily food of Colombians and by including them on my plate they can show the world the diversity that characterizes us as a country.

I advocate, “to make full use of all things and sustainable ingredients."

I selected the specialty ingredient "Yanchi Tan Sheep" from Ningxia, China and local wild leek flowers. Using Chinese and Western fusion cuisine techniques to cook the lamb chops, lamb loin, lamb bones, internal organs and other parts combined with local flavours to form the flavour profile of the final dish. Puna series mineral water is used to cook the Yanchi Tan sheep, this is also the water that the sheep grew up drinking.

When making sauce and stock, I used the stock from making “lamb wrapped with lamb belly” combined with a sauce made from lamb bones. During cooking, kitchen utensils such as wide-mouth pots and pressure cooker are used to reduce the cooking time and to achieve the reduction of carbon emissions, and sustainability of ingredients. Geographical specialty product "Yanchi Tan Sheep" is selected with the intention to be the guardian of pure bloodlines, and to promote all over China and onward to the world.
 

This dish is my tribute to traditional Huaiyang cuisine, interpreted through the culinary language I know best. As a Western chef, I combine Chinese techniques and heritage with familiar Western methods, from consommé clarification to risotto emulsification and ballotine. Rather than reinventing tradition, I aim to create a respectful dialogue between cultures, showing that curiosity and craftsmanship can bring new vitality to classic flavours.

This dish is a conversation of humble roots & cuisine’s inclusive power, as I’m from the “wrong side of the river” in rural Shanghai & trained on the Rhône in Lyon. Vol-au-vent & Kousansi share a Chinese superior sauce brewed of Acqua Panna, topped with upcycled tuiles patterned from Song Dynasty art. I believe, in our divisive era, cuisine bridges cultures and nourishes innovation with understated depth & radical earnestness, respecting ingredients & welcoming all to drink from a shared well.

With more than 10 years experience in different countries it took me a second to realize and change mi mindset when it comes to cooking when I landed in Sweden a year ago, all green and good use of resources. My personal goal in my career is to reduce waste as much as possible, we are so many in this planet but most of us don't do enough to minimize our negative impact in nature. I believe we can do so much more and what´s better than start with what we eat in our restaurants?

Emmanuel Pillon chef of the Louis XV said : « Nothing is lost, everything is transformed. » In my dishes I would like to transmet this kind of spirit. We can use all the left over, all the skin and make a really good dishes. I choose to cook vegan become since 8 months I grow in this environnement and I found a really équilibre of technic and flavor. This kitchen let me really grow and open many doors for fermentations and taste.

Nordic Sea is a dish that focuses on sustainable ingredients. This dish reflects my culinary journey and who I am as a chef today. Combining fishing and cooking is fantastic. Something I often did as a child. Many fish species are now threatened by overfishing and pollution. I focus on cod, blue mussels and seaweed. I use MSC-certified cod from the North Sea. Farmed blue mussels that contribute to a better sea environment and seaweed counteract the negative effects of climate change.

The story of the dish tells my story with the cuisine. I use a culinary technique from each chef I have worked with, while adding my personal touch that I associate with the products of my native country. Which gives a textured dish, full of color with this full-bodied, powerful, fragrant juice which gives character to the dish. This dish testifies to my love for my profession, the ups, and downs, the sacrifices I have had to make for the sole purpose of living my passion.

A personal take on the movement of food is one of humble beginnings and humble endings. Between those two points lies what I believe as a chef. Rice congee is simple, traditional, and inexpensive, yet can be elevated without losing its origins. The same is true of the tart. I started with everyday vegetables and, at the end, made exactly that. In between, I transformed them into something special, then returned them to something recognisable. That is the essence of my cooking.

Through this dish, I aim to express the elegance and complexity of Australian gourmet cuisine. The combination of duck, plums, and Australian black truffles showcases the country's rich agricultural diversity and culinary potential. The dish pays homage to my grandfather's farm and Australia's ability to produce high-quality, luxury ingredients and its growing reputation in the global gourmet scene.

I see the future of gastronomy as a balance between innovation and heritage. In a world driven by speed, technology, and AI tools, I believe chefs have a responsibility to preserve the knowledge, techniques, and values that shaped our culinary identity. Through visible roots, beef broth, and slowly cooked beef shank, this dish reflects my commitment to respecting ingredients, minimizing waste, and valuing time as an essential ingredient. As a chef, I want to build a future where tradition is not

Today's dish is more than just a meal; it is a plea for sustainability and responsibility. The present we live in is marked by major ecological challenges. Water pollution,food waste,and climate change are just a few of the urgent issues demanding our attention. These are not just statistics; Perhaps the Earth is sending us a message,urging us to return to essentials. Now, more than ever, we need to remember this simplicity and cook with conscience. Come back to our roots. This dish is a manifesto.

Through “The story of Cod” I wanted to give a modern twist to a traditional Greek recipe and products that are a part of every table in Greece. The goal was to showcase Greek gastronomic culture through a combination of tradition and modernity. Wanting to highlight the quality of Greek products, I chose to include ingredients found all over Greece. The message I wanted to convey was that complexity can occur through simple things and that we should get inspired by our roots and history.

Through this dish, I'd like to show that brazilian ingredients are unique and amazing just as much as from any other part of the world. Since starting my career outside of my country as a immigrant, I've received a lot of comments ''what is the food like in Brazil?'', and I can confirm that for being a ''3rd world country'', many times our food culture is left behind and not taken as seriously as other cultures. Our potential is huge and I'd like to show that to the world.

This dish represents my love for classic techniques and exploring new flavors while minimizing waste and creating a unique dining experience. I fell in love with Country Ham while living in Charleston, but we never had a good use for all the scraps. Substituting the Country Ham scraps for the more classic dried shrimp or scallops creates a slightly smokier XO that bridges Chinese cuisine and the American South, which is important to me- bridging gaps between cultures through food.

I see the future of cooking as an act of respect for those around you. Care and community are often lost now, but amongst chefs, it will never cease. I believe my role as a chef is to cook honestly, respect the integrity of the ingredient and to share the joy of cooking with as many people as I can. This dish draws inspiration from all that have given me the gift of knowledge, nostalgia and practice. With this dish I hope to honor those gifts and create new experiences as such for others.

This dish represents a combination of my view, love and upbringing with food. being thought french cuisine and working with locale produce, loving the purity of japanse food and having roots in indonesia. I strive for balance in flavours and combining the east with the west in unexpected ways. I like to think outside the box with produce without losing the story behind the dish.

I chose this dish to enhance the Italian tradition, to combine a poor dish like Tuscan fish soup and Grano Arso flour, made with fish and crop waste products, with the technique and refinement of a gastronomic restaurant, in order to have a dish that tastes like home in an elegant and refined style.

With this first course I wanted to create a link between land and sea, revisiting a typical preparation of my country, the porchetta. I am a lover of the sea and I wanted to make a preparation that combines the two in a modern way. Combining these also with pasta, it can never be missing in an Italian lunch. Tradition and innovation come together respecting the raw material.