Regional Finalists 2022-23

My dish is a celebration of the vibrant culinary traditions of Indonesia, infused with the gastronomic influences I’ve embraced since moving to Hong Kong. At its core is Nasi Tumpeng, a ceremonial Javanese dish that is the centerpiece of any family gatherings.

As a nod to my Indonesian heritage, I will present my interpretation of the iconic Sumatran dish Sate Padang featuring a deeply flavorful grilled Hong Kong duck, connecting the flavors of my past and present.

My mother’s dawn-steamed rice and her traditional pantry shaped my childhood culinary pride. Growing up as a chef, I found her humble kitchen held a profound system of knowledge: the soul of fish sauce, rice culture, and flavor balance. This lobster, sticky rice, and phở dish contemporary retells those memories. It’s about deeply understanding our core values and wrapping the Vietnamese soul in a modern structure. I dream of our cuisine stepping out globally with an irreplaceable identity.

I want to present my Cantonese cuisine background. I have four years experience at various traditional Chinese restaurants. Dim sum and traditional Chinese food are central to my identity. I aim to showcase Chinese cooking and beautiful local dried seadfood by reconstructing classic dishes into fine dining plates. Lastly, I want to convey that culinary boundaries are blurring as techniques are shared globally. We can learn from other cuisines to achieve higher culinary excellence.

This dish is an homage to my personal culinary journey. Being of Chinese Filipino decent, this dish is a culmination of the influence other countries have had on Filipino cuisine. I want to use this opportunity to showcase a beautiful bird sourced locally from Ontario,while flaunting a contemporary version of a classic dish replacing the pork. I’d like to think of myself like this Sinigang dish, a pinnacle of different influences and techniques I've learned from the different Chefs in my career.

Through this dish, I want to express the journey of myself building a life and career in Canada. The flavour inspired by my memories of Thai dishes I grew up with, while I replace the ingredients reflect the season and product I work with around me today. I believe it’s a reflection of adaptation, identity and of course stay connected to where I came from. Thai memories, Canadian Season, and the journey in between.

This is the purest form of expression of my journey. This dish will take you through the beginning of my career all the way to the present. It takes inspiration from my grandmother’s impactful love for cooking transmitted to me as a young girl, to the reflection of my culinary career. My development as a chef and the learning of cultures, were turning points of finding my own identity and what has devoted me to this chapter.

My dish should represent the northern Waldviertel and the history of my family. The idea for my signature dish was born in my head from childhood flavours. But I also want to use it to show sustainability and make a statement that you can still cook an interesting style of cuisine using classic techniques.

This dish expresses my journey from a humble Vietnamese kitchen to European fine dining. By uniting classic techniques with hometown flavors—like Sa Chau fish sauce, Xá Xíu, and pho aromatics—I tell a story of cultural harmony. The wheat tuile and smoky eggplant evoke my deep Vietnamese roots. It reflects my identity: a modern chef proudly carrying my heritage to the global stage, bridging two worlds through food.

In this dish I want to give a stage to an ingredient that I think is underestimated (the horse) and represent it as much as possible. I take the food of the horse, the so-called soft food and complement with it parts of the animal to present the whole. I want this animal to be culinary understood from beginning to end.

This dish for me represents Irish culture married with classical french techniques,as an Irish chef in France it's something that's very important to me.I break down the elements of the whiskey making process into individual steps, and that utilise those steps to inspire a key ingredient on the plate, all to accompany Irish Beef Tongue."Whiskey loosening the tongue" is an Irish phrase for when we drink whiskey it helps open conversation, I'm playing on that phrase as I braise the beef in whiskey.

This dish tells my story, expressing my passion for mushrooms with a skewer of mushrooms, laced with their broth and miso. The other central element is the mushroom broth, present in almost every preparation. As a homage to France, I chose: onion soup with toasted bread for a no-waste policy. The casoncelli, representing my roots, are stuffed with broth scraps, juniper-smoked ricotta and Parmesan. The final broth, when drank, cleanses the palate.

This dish is a memory of my childhood Sundays. I transformed breadcrumbs into 'pasta crumbs' to evoke the scarpetta I’d do in her Piennolo tomato and nepitella sauce. The pulled rabbit meatball, breaded in dried pasta powder, recalls how she would shred the finest meat over my pasta by hand. The dish is completed by the soffritto, the soul of Naples, and a herb-crusted rib that captures the true essence of the rabbit.

This dish is inspired by the Sierra Norte of Madrid, a rugged mountain region shaped by sheep farming, cereals and pine forests. Using young lamb and seasonal ingredients, it expresses landscape, memory and a sense of place through a contemporary approach. Each element reflects a different aspect of the region: smoke, fresh herbs, the mountains and the respectful use of every part of the animal.

I see the future of cuisine as a dialogue between cultures, tradition, and conscious choices. This dish reflects that vision: two-colored pasta filled with fish, shrimp, and sun-dried tomato, bringing together flavors of the sea and different culinary influences. The shrimp bisque with coconut milk and dendê (palm oil) adds depth, while cashew crumble and fish fumet espuma enhance texture and balance, allowing the ingredient to remain at the center.

With this dish I seek to change the focus generated by some products and turn it into something more personal. Using parts of not so common products and plating them in tableware designed and handcrafted by myself.

I believe as human being that we are very sick. Imagination and language is what did separated humans from animal.
Today peoples are not conscious of who we really are and the consequence is that we create confusion, trends and bad ego is the protagonist in this planet. Today we try to fix this planet by using one word, sustainability.
who really know the significant of that word and who first went to see inside of the most scary place of this world? I think it is better to start from us...

Through this dish, I want to convey the value of wholeness. Every part of the albacore tuna is celebrated: the Wellington highlights its finest cut, while Roman-style tripe and liver pâté give dignity to parts that are often discarded. The carrot, also used in its entirety, reinforces a message of respect, culinary memory and the mindful transformation of ingredients.

I believe the future of cuisine lies not in doing more, but in better understanding what we already have. In this dish, the whole duck is celebrated, with each part transformed into a different expression. The fermented rhubarb conveys the value of time, while fire and smoke speak of memory and instinct. It is a portrait of the chef I am today and the chef I want to become: mindful, responsible and guided by a search for meaning as much as flavor.

I see cuisine as memory and a profound respect for origins, elevating the rustic character of smoking to the highest level of technical sophistication. In my dish, Magellanic lamb, Pacific luche seaweed and native potato come together to tell the story of Chile’s extreme geography. I want smoke and ash to go beyond their role in cooking and become the common thread connecting our primal fire with the future of gastronomy.

A short time ago there was an oil spill on the coast of Peru, it made me realize the consequences of spills, they generate a tremendous environmental impact, but I think the wisdom of nature is greater than mine, and its benefits even more so, for this reason I want to use seaweed and mushrooms in my dish. My dish generates awareness but also sustainability, using a product that is not used to supplant others and obtain benefits for human health, for me that's one way to make sustainable cooking.

Panamanian cuisine is a fusion of indigenous, African, Spanish and Asian influences. The Afro-descendant cultures, especially in seafood, and the indigenous heritage of the Guna, Ngäbe-Buglé, Emberá and others, are vital to our culinary identity. Through this dish, I would like to give you a taste of our ethnic heritage. From our indigenous groups to the African slaves, this dish represents a taste of our gastronomic mix.

I want to memorize my first trip to Guangxi. A mountainous region with rich cultural resources.Bamboo there is a important materiel.I went to several villages deep in mountains.The weather makes moss grows everywhere.People there are poor and still using self-made charcoals for cooking and stay warm, so the smell of smoke hung in the air.But what touched me is the kindness of them.
This is a vegetarian dish ,the flavor of my dish based on a famous noodle in Guangxi, name is Old Friend noodle, and I use some fermented ingredients which are also common in Guangxi cuisine.
 

For me, the meat of the turbot fish is tender and not fishy, and it often appears on every household's dining table. The common cooking methods include steaming, braising, pan-frying, and more. Although it is a very common fish, I want to try to create a unique experience based on my own understanding. Furthermore, it seems that the concept of "numbing and spicy" is not widely known internationally. I hope to introduce the concept and let more people understand the charm of Chinese cuisine and the unique flavors it offers

I express the fusion between two cultures, Chinese and Italian. The dish is composed of childhood memories where every Sunday as a child I cooked with my grandmother "Spaguetti pomodoro", I grew up with the taste of this food and I tell this story with Chinese elements, peppers from the Sichuan region, which I transfer to the tomato sauce. I replace the "grano paste" with bamboo, from southern China. I follow my dish with crostini in it there is osmantus that reminds me of the Chinese spring.

In the modern world people get exposed to a huge number of ideas and opinions every day. The purpose of my dish is not to educate a person or try to put a new idea in his head, but simply bring joy and awaken positive emotions. I want to try and give joy to people by creating delicious food from good quality ingredients. If I can make someone feel good with my dish, I can contribute to making the world a better place and that is the most important for me. Delicious food is inspiring in itself.

This dish focuses on solder fish which is one of the largest food sources for many fish species in the ocean. also that is hardly used in our gastronomic. more focused on Nordic ingredients and history with a mix of classic and modern cooking techniques.

Due to the pandemic, everything closed and people with nowhere to go turned to forests and parks. This dish is created upon mixed feelings of all beautiful tastes and aromas that forest gives and all despair of trash, tires, cut off tries in forest I have seen by walking every day in forest...

Wapiti deer were introduced into New Zealand in 1905. Since then the feral herd escalated in numbers and volunteer groups put in huge efforts to contain them. Using wild deer in this dish, that would have otherwise been shot and left, is a key sustainable factor.
When eating wild venison I envisage walking through New Zealand bush and I am reminded of what deer eat in the wild. That is why this dish contains kawakawa, horopito and pikopiko. I am kūmara and a modern interpretation of Hāngi.

Through this dish, I wanted to link my 2 countries of affection which are France, my country of origin, and Australia, the country that welcomes me.
For this, there was no question of importing products from Europe, nowadays I believe that it is up to our generation to limit the environmental impact through our cuisine.
So I looked for products grown and appreciated in each of the two countries, I then selected them individually from local producers, every single product comes from Queensland.

Through this dish, I aim to showcase the harmonious blend of traditional Thai flavors with modern culinary techniques. It represents my journey and growth as a chef, guided by experienced mentors. The dish maintains the authentic taste and essence of Thai cuisine while incorporating innovative elements, reflecting a fusion of heritage and contemporary artistry. It tells a story of respect for tradition, creativity, and my passion for bringing a fresh perspective to classic recipes.

Lamb Serving explores the ritual of gathering around a festive table through the lens of contemporary Israeli cuisine. Inspired by the Jewish Rosh Hashanah tradition of serving lamb’s head as a symbol of renewal and aspiration, the dish reinterprets this idea through multiple expressions of the animal. Raw and cooked preparations exist together, while fermentation and traditional techniques create depth. Inspired by memories of shared meals, bread becomes a final gesture that connects every bite

Inspired by my grandmother’s rabbit stew, this dish reflects my journey from childhood memories to contemporary fine dining. Using the whole rabbit, each preparation represents family, sustainability, nature, and my evolution as a young chef, combining emotional storytelling with modern gastronomy.

This dish challenges the idea that the most important ingredient is always the most expensive or prestigious one. While turbot provides the foundation, the onion is the true protagonist. Often left in the background, it is given the opportunity to express its full character alongside chicken, razor clams, and chanterelles. Inspired by Istria, the dish reflects my belief that great cooking comes from understanding, respect, and the ability to reveal beauty in the simplest ingredients.

Growing up in a Mangalorean Catholic family in Mumbai, Sundays meant sorpotel simmering in my mother Veronica’s kitchen, surrounded by music, laughter, and family. Inspired by our post-church breakfasts, this dish reimagines those memories through pork, dosa, balchão, poa, and sambar — a tribute to my heritage, childhood, and the woman who shaped my love for food.

I want to showcase everything i have learnt as a chef so far. I think doing a classical dish like this is unique and modern and really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come.

“My Takeaways” is not just about food. It is about the things carried forward: flavours, memories, habits, techniques, and ways of caring that survive through generations. It reflects what I have taken from my mother, my family, my time in Jamaica, and my experience growing up in the UK. It also challenges the way Caribbean food is often reduced to takeaway culture, when in reality it holds generations of craft, history, and identity.

The Vietnam Cookery Culture is not simply the France and China Cuisine, but it is the fusion between those Big Two Cordon Bleu that give birth to the Street Foods in Saigon. The type of “ Haute Cuisine” are available to all the people, no matter where are they from.
My Mission, is to deliver this message to Fine Dinning Table, the belief is to parade “Before Fine Dinning was born, there was Street Food”

Through this dish, I express my journey from a small town in India to Europe and New York. Banana blossom reflects my roots and childhood, sunchoke represents discovery and growth, and chanterelles embody my connection to nature through foraging. Together, they tell a story of heritage, curiosity, and my belief that exceptional plant-based cuisine can be both deeply personal and globally relevant.

This dish represents my love for classic techniques and exploring new flavors while minimizing waste and creating a unique dining experience. I fell in love with Country Ham while living in Charleston, but we never had a good use for all the scraps. Substituting the Country Ham scraps for the more classic dried shrimp or scallops creates a slightly smokier XO that bridges Chinese cuisine and the American South, which is important to me- bridging gaps between cultures through food.

Sustainability and deliciousness are my beliefs, because when combined are strong enough to make a change in what today is a broken food chain.
Also Connecting my past and my origins with what I think the future should look like in gastronomy, is what makes me the happiest. Through my dish and my cooking, I want to share a message: “Eating sustainable food, food that’s around you, following seasons and bringing traditions from the past to the present, is going to make the difference for us and for the future generations".

I am a chef inspired by memory, roots and the stories behind every ingredient. The flavors of this dish shaped my childhood and remind me of my grandmother, who taught me that food is a language of love. The turkey represents migration: native to Latin America, it crossed borders and found a place in other cultures without losing its essence. Whether classic or modern, there is only one kind of cuisine: good cuisine. Looking to the future, I want cuisine to be seen as a language that brings people together.

The first message this dish gets across is a bit of a surprise to most people who taste it as even a simple lettuce plant, if well prepared, can become the tastiest dish on the menu. historically it has no specification, but another important message this dish gets across is definitely that of using all parts of a product, from a to z, from the cooking liquid that becomes a vinaigrette to the daikon waste that becomes kimchi.