Regional Finalists 2022-23

My Dish, from a village by Kerala's backwaters, is inspired by where the historic spice route shaped our rich cultural heritage. I aim to BREAK THE SHELLS of outdated mud crab cooking methods, moving beyond traditional curries. I believe every part of the crab can be utilised wisely akin to other types of meat. My signature dish combines my grandmother's traditional flavour with innovative, sustainable twists inspired by my culinary travels in Southeast Asia, highlighting Kerala ingredients.

Nowadays, Bali is facing a massive shift in landscape and lifestyle due to mass tourism. My biggest concern is the future of our children. What is our legacy? What is my responsibility as a chef for future generations? I want to take my part in preserving our Balinese heritage, our ingredients, our local farmers, our skills, and show that mixing tradition and modernity is possible. This is why I called my dish " Go Local or Go Home ".

This dish began with my love of lamb, and the hope to highlight my Hainanese heritage. Lamb has been a staple of the Hainanese diet (i.e. Dong Shan Lamb) and through this menu, it would be featured alongside ingredients and techniques that link the East with the West.
Taking inspiration from the Spice Route, also known as the Maritime Silk Roads, I have utilised spices such as cumin, fennel, Sze Chuan peppercorns and ginger, all of which were known and used in antiquity and traded in Asia.

Growing up in a multicultural household in Canada exposed me to diverse cuisines, fostering a deep appreciation for Canada's melting pot of cultures. My dish draws inspiration from my favourite childhood dishes, Cantonese braised pork and abalone, and Vietnamese Banh Mi, combined with my time spent in some of Canada's top restaurants, I crafted a dish merging Chinese, European, and Vietnamese flavours. I believe that this fusion embodies Canada's cultural richness on a plate.

This dish, in a nutshell, represents who I am. Not only are all the main ingredients sourced from directly here in Canada, but also the techniques used I learned (and tweaked) from all the most important restaurants I have worked. It takes humble ingredients like duck and corn and elevates them to a new level of luxury. Lastly it attempts to blur the lines between savoury and sweet dishes with the use of popcorn and shortbread. Its an artful and fun representation of who I am as a chef.

Vegan food, through methodology and expertise, belongs on the world stage. Vegetables can be a complete substitute for any animal product. Vegan forward diets reduce factory farming practices, and when we eat meat, we should source local and ethically raised products.
Fallon recognized the harsh realities of raising cattle. She realized cultivating mushrooms was the way of the future. These are generational farmers who shifted their focus for the environment, their courage deserves recognition.

Tikka Masala - a dish that started my culinary journey. It captivated me as a chef's apprentice with its layers of flavor, the first dish I mastered and the one that won my wife's heart, as the first dish I cooked for her. For this competition, I present it in two ways: whole, to enjoy it fully with all flavours present. But alongside it, a deconstructed version with all elements still present and polished, presented to highlight its individual mastery.

This dish symbolises the union of Latin American and Bavarian traditions, reflecting my culinary journey. By blending these rich cultures, I create a bridge that unites people through food. It represents my passion for merging vibrant Latin American flavours with hearty Bavarian comforts, celebrating the unique histories and identities of both. This fusion cuisine showcases my belief that food can unite diverse worlds. My philosophy of honouring traditions while creating harmonious experience

I wish to inspire people to reconnect with their neighborhood. Regionality is not just practiced, it is lived! We need to encourage kids to engage in gastronomy. Let's show the next generation the joy of serving guests dishes made from locally-sourced ingredients, fostering connections with friends in the local farming community. Hopefully, kids today, through my cooking, will discover that, as my grandma always says: 'Where there's a will, there's a way.' Let's create paths worth taking.

This dish gives nobility to the sturgeon by placing it at the centre of the plate, with the caviar playing a secondary role as an accompaniment. I love the idea of pairing the fish with the highly prized egg it produces. Born to two young parents, I grew up between Sologne and Provence; by combining the flavours of Douglass, pine kernels and artichokes, as well as remembering the tian my grandmother used to prepare for me and my love of freshwater fish, I'm showing my origins.

I wanted to challenge myself to make a gourmet dish but also entirely vegetable and 0 waste. Everyone must realize that a beetroot does not necessarily taste like earth, that a vegetable dish is not a poor and indulgent dish. All the vegetables and herbs that we know can be worked in so many ways... I suggest you one.

France and my hometown, South Korea are both surrounded by the sea and is a temperate climate where produce, livestock, and seafood abound. My dish celebrates these ingredients and highlight the 4 elements that maintain the delicate balance of life: soil, sea, sky, and fungi. I believe that this philosophy will open my eyes to view humble ingredients in a different light. To keep exploring earth’s offerings by experimenting unique flavor combinations and new ingredients.

This dish combines different flavors, textures and techniques. It's main objetive is to show the combination of duck breast with an oriental sauce, fresh vegetables and the crunchy almonds. The idea is to create a fusion between the different elaborations.

With this proposal, what I am trying to do is make the most of a product of such quality as hake. Hake is one of the most consumed foods in Spain by the most humble families. In this dish I use all parts of the hake to avoid throwing waste in the trash. The garnishes are also made with cheap products simulating how poor families would make them. The dish has three preparations using a different part of the hake in each of them.

The dish tries to capture the work philosophy that characterises me in its maximum expression, for this I base it on a traditional stew from Valencia called "All i pebre", always the cuisine of my territory by flag, but drinking from other cultures to enrich the elaborations, in this case with Mexican influence with the mole, the nixtamalisation as an ancestral technique applied to the current cuisine. In short, this dish conveys tradition from a modern perspective of respect for our roots.

I rapresented violence against woman. Living or cohabiting with someone who exhibits aggressive attitudes and feeling without a way of escape.
Also walk alone, sometimes, could be scare.
During COVID-19 requests for help incresed by 119% and the cage tht I rapresented makes me think of them. Trapped at home.

My "Ossi di seppia" draws inspiration from Montale's work, where bones, wandering among the waves and seemingly worthless, symbolize a miserable yet significant existential condition. Like the small things in daily life, they conceal intrinsic value and beauty. By using every part of the cuttlefish, even those considered scraps, I aim to showcase their importance and convey the significance of circular cooking to reduce waste and valorise each ingredient.

This dish revolves around the use of the main part of the ingredients and those of “ scrap “ , nothing is thrown away, rather at the end of each preparation what’s left is used as a base for another recipe. This is to raise consciousness of the Chef on food waste and consequently on the human resources used for the production of raw ingredients.

Chile, a narrow strip with more than six thousand kilometres of coastline, is in the south of the world. Every dish reflects the uniqueness of a country where water is essential, from the mountains to the sea. The biodiversity is influenced by the Humboldt Current. My dish, ‘Cordillera, Valle y Pacífico’, combines goat cheese from Cajón del Maipo, chascudo, mote and conger eel with mushrooms. Inspired by my childhood and the tradition of my grandparents, I dedicate this dish to Victor and Ana.

A short time ago there was an oil spill on the coast of Peru, it made me realize the consequences of spills, they generate a tremendous environmental impact, but I think the wisdom of nature is greater than mine, and its benefits even more so, for this reason I want to use seaweed and mushrooms in my dish. My dish generates awareness but also sustainability, using a product that is not used to supplant others and obtain benefits for human health, for me that's one way to make sustainable cooking.

The dish I have thought of is a reversion of the Christmas dish that is always eaten in my house and all over Venezuela, as it represents my first experiences with the palate. I decided to fuse Venezuelan and Argentinean gastronomy, due to my migration to Argentina when I was young, I also included Asian flavours and products from Mendoza, as they reflect all the experience I have had in the last years of my life. This dish mixes my origins, the history of my life and my passions.

As a native of Nanjing, I have always held a belief that "no duck can leave Nanjing alive." From a young age, I may have had a certain obsession with eating duck. For this competition, the dish is based on Nanjing Saltwater Duck, using the Fujian Egret Duck, no part of the duck is wasted; Food is the foundation of life, and since ancient times, the path of cooking has always been about inheritance. Like an old tree with intertwined roots and lush branches, only by inheriting and being brave enough to innovate can new buds continue to sprout. This is akin to the theme "Old Tree, New Sprouts."

For me, the meat of the turbot fish is tender and not fishy, and it often appears on every household's dining table. The common cooking methods include steaming, braising, pan-frying, and more. Although it is a very common fish, I want to try to create a unique experience based on my own understanding. Furthermore, it seems that the concept of "numbing and spicy" is not widely known internationally. I hope to introduce the concept and let more people understand the charm of Chinese cuisine and the unique flavors it offers

The dish presented by Alchemist restaurant, calling for a reduction in ocean plastic, has inspired me and made me realize that ocean pollution is not far from anyone. I live in Zhuhai, Guangdong Province, a coastal city with abundant seafood resources that is also affected by pollution. Therefore, I hope to use my dishes to raise awareness and urge people to protect the ocean.

This dish represents how we can use different parts of one protein source and combine this with Estonian wine. I am also using lingonberry and moss from Estonia, it is hand picked from the forest near where i work every day.

I would like to just honestly share my idea for this competition. I understand that not everyone that applies will participate however it does not mean I could try and share my journey to San Pellegrino, perhaps worldwide.
This dish represents my memories of my grandmother that I wanted to give my twist on. I applied lessons that I learned throughout my culinary journey that hopefully tells the story and what I am still willing to learn.

Denmark is the number one country of producing meat averaging 334 kg per person per year. However, as Denmark increasingly focuses on green energy and combating climate change, reducing the consumption of mass-produced meat becomes essential to lower the CO2 index. Through my dish I want to contribute to this change and adapt to a more sustainable future.

This salad is very popular Colombian salad on the Atlantic coast in and we find it with the name clown salad, alluding its name to the bright colors when we mix all the vegetables.
I want to show to the world Colombian’s cousin, and how we integrate the different texture, flavours, colours and techniques from our rich cultural heritage, presenting a popular salad in a sophisticate way.

Wapiti deer were introduced into New Zealand in 1905. Since then the feral herd escalated in numbers and volunteer groups put in huge efforts to contain them. Using wild deer in this dish, that would have otherwise been shot and left, is a key sustainable factor.
When eating wild venison I envisage walking through New Zealand bush and I am reminded of what deer eat in the wild. That is why this dish contains kawakawa, horopito and pikopiko. I am kūmara and a modern interpretation of Hāngi.

My dish is based on my culinary journey: I am Indian by birth and I moved to New Zealand when I was 18 and I've been working in Tamaki Makaurau for the last 10 years, surrounded by the ocean. I want to showcase the best of seafood found in the country and also merge it with my Indian heritage in a subtle way by using dried fenugreek leaves with some of the main ingredients found in a lot of Indian food.

Working in Mano2, the initiative behind micro seasonality, zero waste and preserving food and flavor through various fermentation techniques began the concept behind this dish. The inspiration behind the story comes from the fall season in continental Croatia where there is a rich abundance of various mushrooms, wild herbs and vegetables. We have showcased them using techniques seen in Mano2 which have preserved and fully expressed its soul purpose while also using the ingredients as a whole.

This dish stems from the global need to change the fine dining concept. I believe that the process of dining in a restaurant should be more educational, interestin and enjoyable for guests, with the help of other arts such as theatrical. With this dish, I will conjure up a performance about Sava Savanović, the first Serbian vampire, and country i came from, with the fact that in dish food will play the main role, where each segment of the dish will tell its own part of the story in this play.

My dish celebrates the tradition and sustainability of the Vipava Valley. Jota made from Turnip Tropinka, served in aluminum dishes, carries the flavors and memories of the harvest. The humble Turnip Tropinka symbolizes simplicity and homeliness. Accompanying it is the skin sausage Krotegin, bread made from grape seed flour, and smoked grape seed oil. The dish blends traditional and modern techniques. Each bite evokes memories of family, vineyards, and values, connecting the past with the future

“Bringing the beauty of this world to the plate” is the message I would like to convey with this ‘pop art’ style dish.My most memorable encounter with the courgette is that of seeding on a courgette farm. This exercise peaked my interest in where produce comes from, how it’s grown and how to best represent that in a dish.The courgette is simple; yet when used correctly, it can add beauty and freshness to a dish.

A Chef is someone able to forge a connection between times and who can intertwine the strings of time to create something beautiful. Food is central to our sense of identity. The way any given human group eats helps it assert its diversity, hierarchy and organisation, but also, at the same time, both its oneness and the otherness of whoever eats differently. I wanted to create a dish that reflects my background who couldn't think i would love pigeon.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

Food conscience and sustainability are more prevalent in our lives than ever before.
It is time to take action and look for more sustainable solutions.
My dish is a representation of sustainable ingredients, rich in nutrients, with a low water and carbon footprint, that may improve ocean water quality, rebuild coastal ecosystems, alleviate hunger and contribute to environmental revival at a low cost through ethical farming on a global scale.

I want to express the courage to work with nonconformity, taking a classic plate form my country with products that we barely use and remade it with new techniques and thoughts but keeping the amazing flavor of the main components so you can transport yourself to Catalunya.
The message is to bring back the forgotten classics and the story behind them.

With the current climate crisis that we are faced I would use this opportunity to further educate the greater population on the roles that farmers and fishermen play in our global economy as well as teach about land management and our auricularly impact. Often this population is misrepresented by factory farming and I think my personal connection (growing up on farms and fishing boats) will give me a unique opportunity to put the farmers on the main stage versus the cook.

I started my career as engineer, then 3 years ago, I choose to travel and work as a cook. My cuisine was molded by that. I discovered many cultures and peoples that inspired me because they were so proud to share food that they grow in their environment for years. Back home, I want to do the same. Cook a Sunday meal that brings back childhood memories with my grandparents in Moselle, a poor farmer's dish: La Potée Lorraine. With only local product and twist it with my favorite, Mirabelle Plum.

With this dish I actually want to transfer all my passion and love to the detail. From the first step to the last arrangement of the flower. How many thoughts have gone into this dish. How to use everything from an animal. How I can best transmit my emotions to the guest. The filigree and delicacy of the dish. But in the end it's the taste that counts, that's my priority. I also want to be able to stand behind it 100 percent and I want to tell myself, that I can't do it better at the moment.

I want to illustrate with my dish that we can present a beautiful and flavorful plate with just a few main ingredients. With those main products at the center, I want to go for a varied and complex mouthfeel.

A plate with too many ingredients takes the attention away from your product and moreover, it does not always form a whole. With this dish I want to show that you can bring a wide variation on your plate with just a few ingredients, even without going expensive in this case.