Regional Finalists 2022-23

Nowadays, Bali is facing a massive shift in landscape and lifestyle due to mass tourism. My biggest concern is the future of our children. What is our legacy? What is my responsibility as a chef for future generations? I want to take my part in preserving our Balinese heritage, our ingredients, our local farmers, our skills, and show that mixing tradition and modernity is possible. This is why I called my dish " Go Local or Go Home ".

Malaysia, Taiwan, and Singapore are the places influenced me the most. Through this dish, starting from the broth, it's like starting a new journey into the unknown, mist yet exciting; followed by the snack, when you walk into the wood somehow can see delicate food prepared by the nature; and last is the main, you enter the heart of the wood and much more things to explore, which just like our culinary journey. I want to set new trend that how different backgrounds can create interesting story.

I choose this dish because my mom used to cook this for me and now I cook it for my son. I wan to represent thai heritage dishes in a modern way, to reflect that if the products are treated with love and respect, so the dish will be. I refine the flavours and techniques to elevate it even more, to show the proud heritage of the Thailand ingredients and recipes.

With this dish, I want my diverse immigrant family background and the fact I do not identify with one food culture, to show what can be done with modern ideas and less. I want to improve myself and develop tight portion control, recipe control, “waste” utilisation, and an insane passion for food. I want to demonstrate my vision of fine dining cooking, which is to cook as local, zero waste, and as ethically as I can while still keeping deliciousness. I want to put food into bellies, not bins.

I invent this plate in honor of the hard work of my father and my mother. My father always work in the cereal world and this is a very hard work. He gives is life to this work to make shure we miss nothing. I also put carrot because when i was young my mother have a big garden with a lot of carrots and i dont really like them at this time. Now this is one of my favorite vegetable. Also the duckling is my favorite animal proteine so that’s why i wan’t to serve them. I hope you let me show you!

Receiving whole deer every fortnight, I noticed that the unused offal was being wasted. So I decided to put them to good use in a dish to raise awareness of food waste. My aim is to promote responsible and sustainable cooking, reflecting my passion for gastronomy and my values of respect for natural resources.

This dish is entirely inspired by general and global necessity for #change. Where everyone has to give at least a minimum effort to participate in saving the planet earth. We all know that sustainability and reduced waste is the solution to this current crisis, so I created a dish to be my homage to this food revolution.
Although, I am kind of, opposed to people`s tendency to call dishes vegan burgers, vegan steak etc.
But, I gave a shot to preparing something that looks and tastes like a steak.

In this dish I want to give a stage to an ingredient that I think is underestimated (the horse) and represent it as much as possible. I take the food of the horse, the so-called soft food and complement with it parts of the animal to present the whole. I want this animal to be culinary understood from beginning to end.

With this dish I would like to express that we all have to look back sometimes when we were young and our families were cooking for us.
This dish I devote both my Grandmothers. One of them came from the Northern part of Germany that stands for the Sea part of the dish and the other Grandma came from the West part of Germany and she had a big homegrown garden. I gather two types of living and put my identity as a chef on top thus it became my Signature Dish.

I would like to pay tribute to all the places I have lived, thanks to my family coming from many backgrounds. I chose a fish that I love. I think it’s a shame that most of the time not all the part of the fish are used.Food waste is something chefs all around the globe should fight and this is why I chose not to cook the filet. Deliciousness is everywhere.You will find everything I love in
the three cuisines: French, Lebanese and Ivorian.I wanted to show and share the cuisine close to my heart...

I would like to express a simple message through my dish, the reduction of food waste and pollution. Through my life experiences, between Italy and France, I combined the cultures and some of the traditional dishes, to me close, in one. I talk about classic preparation of both countries revisited on a contemporary way. I use only sustainable food like mackerel (using every part) for responsible fishing and seaweed in substitution of animal proteins. Work local, think global.

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

From head to toe. That's what came to my mind when I decided that my dish should be mainly pork. Pork is a product that shows us that everything can be used and that nothing should be wasted. At the same time, most pork-based preparations require long cooking times and the patience that goes with it. For me, making the most of time and time are the indisputable pillars of any kitchen, and that is where this dish I am presenting has come from.

The dish is a representation of my origins, I don't have a Spanish culinary tradition because my mother was born in Venezuela, and my father in Germany, although my grandparents and I are Andalusian.
I express in this gastronomic representation what I consider to be my causalities, the origin of my parents has had a direct effect on my concept of gastronomic culture.
There are three culinary elaborations with the same value: an Iberian consommé, a hallaca of cuttlefish and a red mullet cooked in a flame...

My dream as a chef is nothing more than to be able to take my island to the highest level of gastronomy, being happy along the way. I have expressed it in this dish, using figs, lactose and corn, which is what the pigeon feeds on during its life, making 100% use of it and accompanying it with the three most typical plants of the island, which are fennel, rosemary and salicornia. With this dish I want to show that with a few simple ingredients and your own roots you can achieve a dish of great quality.

I chose baby goat, because in addition to liking it a lot, it was the first animal I cooked in my first work experience, we used to stew it with potatoes without any knowledge of the various cuts of meat, it was cut into pieces and cooked in a pot. With this dish I would like to encourage many young people like me who come from experiences like mine, that with study and perseverance you discover other ways of presenting a cut or an animal in general.

The recipe I propose represents my path: past, present and future.The eel is the most convivial ingredient of my homeland, cooked by a grandmother who thanks to it was able to gather everyone around a table. present in my Sardinia, worked and structured manages to give new variations. The bittersweet represents my present, the combinations, the olfactory references and above all intrigue with the taste, are the pillars of my current cuisine.

This is a vegetarian reinterpretation of a very famous and loved dish of my territory which is beef in oil.
I believe that vegetables should be increasingly included in the menus of our restaurants to try to make people understand that vegetables can also be prepared in a tasty and particular way, and it will certainly be, in my opinion, the future of nutrition.
I would like the vegetable to become the protagonist with this dish as if it were a piece of meat.

Alma Patagonia is a creation that captures the soul of Chile´s southern territory. It is a dish that intertwines delicacies from diverse ecosystems, which vary from the depths of the sea, to lush fertile forests. This blend pays tribute to a culture that bases its cuisine on the available ingredients that Mother Earth provides, which must be used fully. Pure nature permeates through a combination of flavors and textures, and surprises the palates of adventurous gourmands.

A short time ago there was an oil spill on the coast of Peru, it made me realize the consequences of spills, they generate a tremendous environmental impact, but I think the wisdom of nature is greater than mine, and its benefits even more so, for this reason I want to use seaweed and mushrooms in my dish. My dish generates awareness but also sustainability, using a product that is not used to supplant others and obtain benefits for human health, for me that's one way to make sustainable cooking.

The connection we have with our people and the land, our hands are channels with earth. Great dishes can be made using everyday products from our Mexican foods, we must use all of our natural resources without exploiting them.
Heritage, I am not from Oaxaca by birth but my family is, that is my heritage, here I show the value I give to the land of Oaxaca.

In Chinese culture, there is an old saying, "Eat what is in season," which means that the right time creates flavors, and if missed, one must wait patiently. Watching the ingredients in the liquid or the proliferation of fungi during the making of rice koji, I have been struck by the unique flavors these processes bring to food, reminding me of the preciousness of life. As a chef, I believe it is my duty to cherish this gift of life brought by time, allowing it to continue in a different form. I believe that this gift should not be used solely for profit, but should be shared with everyone, allowing them to experience its charm.

As a native of Nanjing, I have always held a belief that "no duck can leave Nanjing alive." From a young age, I may have had a certain obsession with eating duck. For this competition, the dish is based on Nanjing Saltwater Duck, using the Fujian Egret Duck, no part of the duck is wasted; Food is the foundation of life, and since ancient times, the path of cooking has always been about inheritance. Like an old tree with intertwined roots and lush branches, only by inheriting and being brave enough to innovate can new buds continue to sprout. This is akin to the theme "Old Tree, New Sprouts."

The dish presented by Alchemist restaurant, calling for a reduction in ocean plastic, has inspired me and made me realize that ocean pollution is not far from anyone. I live in Zhuhai, Guangdong Province, a coastal city with abundant seafood resources that is also affected by pollution. Therefore, I hope to use my dishes to raise awareness and urge people to protect the ocean.

There are fewer fish in Lillebælt (the sea outside my restaurant) and this is partly due to the environmental problems we have created for ourselves.
Fortunately, we still have lobsters in the sea and we have an elderly fisherman who brings us the best lobsters. So this dish is my way of showing and helping to remember what Lillebælt means to us. The goal is to get everyone to respect the environment and the world's oceans again, otherwise we will destroy some of the most amazing things we have.

My culinary journey starts at the outbreak of the covid pandemic. Finding myself at a crossroad, I chose to go back to the roots and enroll in a French culinary program. There I discovered a passion for the arts. Meeting my mentor Chef Mathew Leong was my next career milestone. This dish represents my journey, as well as my identity. Cooking with high quality Norwegian produce, using french technics with an asian twist. I wish to show that all goals are reachable, even with a late start.ano

This dish focuses on solder fish which is one of the largest food sources for many fish species in the ocean. also that is hardly used in our gastronomic. more focused on Nordic ingredients and history with a mix of classic and modern cooking techniques.

Through this dish, I aim to express the elegance and complexity of Australian gourmet cuisine. The combination of duck, plums, and Australian black truffles showcases the country's rich agricultural diversity and culinary potential. The dish pays homage to my grandfather's farm and Australia's ability to produce high-quality, luxury ingredients and its growing reputation in the global gourmet scene.

In New Zealand we have a large number of introduced pests like wild deer that damage our native flora and fauna. By using wild venison we can create an economy for conservation by giving a financial incentive for the pest control. Hunters can sell the meat and chefs can utilise a delicious clean natural protein in the kitchen. I want to show a way to use the whole animal by ulatising the offal & bones in an approachable way for customers. The more we sell creates more money for conservation.

This dish is influenced by a region of India called Kashmir. It is inspired by its rich culture, cooking style and ingredients that grow around there. Through this dish, I want to express how influences of different countries and cultures has created the rich history of Kashmir. Complexity in the concept, simplicity in the execution is what that I want this dish to cry out. Exploring deep into their culture, taking inspiration and applying my own creativity and style has formed this idea.

I would like to present my version of the most popular dinner in Poland, which is why I called it Sunday dinner at grandma's. When creating Dania, I was guided by Polish and regional traditions. I want to show that our wonderful home cooking, served in a competitive manner, can be very interesting and tasty. When i working in the kitchen, I follow the zero waste principle, which is why my plate includes elements such as potato skin or the inside of a cucumber, and my plates contain meat skin.

I Choose this plate because I grew up in a small town next to the sea and the area is rich in fish. I remember that every week I saw my grandmother cook this type of fish with the most of ingredients are the same and I put my signature with my techniques to present you my childhood memories

Today's dish is more than just a meal; it is a plea for sustainability and responsibility. The present we live in is marked by major ecological challenges. Water pollution,food waste,and climate change are just a few of the urgent issues demanding our attention. These are not just statistics; Perhaps the Earth is sending us a message,urging us to return to essentials. Now, more than ever, we need to remember this simplicity and cook with conscience. Come back to our roots. This dish is a manifesto.

Scallops & samphire are the flavour of the galette I was eating as a kid on Brittany's coast when my family was going to a "crêperie", this is why I have chosen 3 major ingredients: scallops beautiful seafood from Scotland (where I am living), samphire foraged along Scottish coast, and buckwheat reminder of the "galette de blé noir" dish of my childhood. Also by using the entirety of the scallops through the dish I want to express the importance of going toward a zero waste way of cooking.

The chosen fish for this dish is halibut, a firm fish with an oily texture. I have made a special sauce called fish caramel made from halibut bones with a good amount of sauce and nice creamy cauliflower puree with vanilla, blended until smooth. The lemon gel next to it gives a nice acidity for freshness in the dish. Along side we have New Zealand mussels grilled with butter halibut cheeks tartare with kohlrobi and fried kohlrobi leaves. Simple and tasty to enjoy!

I want to showcase everything I have learnt as a chef so far. I think doing a classical dish like this is unique and modern. It really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come as a chef.

My intention was to use every piece of an often-overlooked ingredient, prepare it in a variety of ways, and build depth with fermented products. Leek hearts were steamed and marinated, more fibrous leaves were braised for pasta filling, inner leaves were made into a mousseline with leftover quail egg whites, the leek tops were made into an oil, a few leaves were fried to make leek hay, and the remaining scraps were made into an ash to color the pasta dough. Paired with miso, amazake, and shoyu

This dish is a story and reflection of my life as a chef;
Typically Banchan (Korean side dish) is a variety of small dishes accompanying a main dish generally reflecting the area they come from. Each Banchan will reflect a a moment in my life through places that I have travelled as well beliefs found along the way whilst maintain my rules and ethics of clean and fair food that’s locally sourced in a sustainable way.
The Six Core Values of my Food
Fire, Clean, Delicious, Refined, Innovative, Tec

My childhood was based on different gastronomic backgrounds about sharing with family and friends around food, they know me as a seafood lover. The translation of “Plebe bichi” is “naked boy”, from the slang of the northwest coast of Mexico, referring to me as a little boy and how I came to the world (naked), and how all this journey that we call life starts giving you an identity. I adapted my grandma’s east-style tamal recipe to a northwest Mexican tamal from my mom's hometown as a gratitude.

My dish is an initiation, a journey through a memory, a reminiscence. One day I went with my grandfather into the forest, I was young, that's when nature opened up to me. My dish will tell this story, starting with a simple trace of deer that will be found in my dish, a message borrowed from
l ́essence of a lived adventure.
I want to convey the essential message that we must understand in 2022, what is the place of responsible gastronomy in Switzerland.
 

With this dish, I want to convey much more than just a culinary experience: I want to pass on a story of commitment to ecology and sustainable development. For me, Neirivue trout, caught in the pristine waters of the Gruyère region, embodies the tradition and quality that nature has to offer. By choosing to work with this local fish, I am committed to respecting and preserving our environment. The fresh, fragrant herbs from the Mossettes garden are at the heart of it all.

My dish embodies simplicity, honesty, and refinement with three core ingredients: mackerel, dulse, and shiitake. Inspired by my parents' bakery, where simplicity was prized, I aimed to create a refined meal with minimalism at its core. Sustainability was crucial; I sourced locally from Belgium, minimizing the food supply chain and using all by-products to reduce waste. This dish reflects both my culinary ethos and dedication to sustainable practices.