Regional Finalists 2022-23

Through the San Pelegrino competition, I would like to make new Korean dish that is interesting and delicious to people in a fun way with familiar ingredients.

Furthermore, I would like to develop a recipe that can reduce food waste that affects environmental pollution.

Malaysia, Taiwan, and Singapore are the places influenced me the most. Through this dish, starting from the broth, it's like starting a new journey into the unknown, mist yet exciting; followed by the snack, when you walk into the wood somehow can see delicate food prepared by the nature; and last is the main, you enter the heart of the wood and much more things to explore, which just like our culinary journey. I want to set new trend that how different backgrounds can create interesting story.

This dish is made using a "priced" protein in our ASEAN culture. It is not something we get to enjoy much of as it was expensive as well. Many farms and villagers I have visited prior to the opening of restaurant Province have hardly enjoyed a prestiges protein as duck. However, when enjoyed it is truly for a special occasion, be it a birthday, wedding or a personal achievement for the families. This dish helps to tell the story of how the different cultures come together as one in a dish.

The message I am trying to deliver with my signature dish is the harmony. The orchestra that makes great music consists of many different instruments. None of them are unimportant. The same goes for our society. The world has been suffering from infectious diseases and wars, I believe we can build stronger and better society by weaving differences together. That is the reason why I picked ingredients from diffent places, which are the tree, the land, and the ocean to create greater synergy.

L’Aube au féminin celebrates all that embodies femininity in all its richness and diversity. Rooted in the earth, the beetroot represents strength and resilience; in pink, it celebrates beauty and gentleness. The flowers echo this gentleness and evoke kindness through their healing power. The female duck, the centrepiece of the dish, embodies protection, instinct and freedom. This dish pays tribute to those who infuse every new dawn with light and vitality.

As Mongolian chef working in fine dining in Canada, carrying the values of my nomadic heritage into every kitchen I enter. Like a modern nomad, I adapt to new environments, learn from different cultures, and grow through each experience while remaining connected to my roots. Inspired by the hospitality of the Mongolian Ger, this dish reflects my journey and my ambition to help shape the future of Mongolian cuisine on the world stage.

The Char is a fish which lives directly in our alpine lakes in Ladis. So the main ingredient stands for my home town. The char is served in 2 different styles. Once as "Cordon Bleu" and once stained. With the dish i would like to show, that it´s possible to connect typical ingredients and tastes from my home town with tastes and ingredients from all over the world. So the whole world on "one plate".

In this dish I want to give a stage to an ingredient that I think is underestimated (the horse) and represent it as much as possible. I take the food of the horse, the so-called soft food and complement with it parts of the animal to present the whole. I want this animal to be culinary understood from beginning to end.

Lamb Journey” reflects my path from Syria to Germany, shaped by memory and transformation. I reinterpret Syrian flavors inspired by my experience in a Japanese kitchen and modern techniques. I use different cuts of the animal with respect for the product, minimizing waste and giving each part a defined role through my flavors, inspired by a nose-to-tail approach. This dish carries the story of my journey through war and displacement, which reshaped my identity and made me the chef I am today.

I would like to express a simple message through my dish, the reduction of food waste and pollution. Through my life experiences, between Italy and France, I combined the cultures and some of the traditional dishes, to me close, in one. I talk about classic preparation of both countries revisited on a contemporary way. I use only sustainable food like mackerel (using every part) for responsible fishing and seaweed in substitution of animal proteins. Work local, think global.

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

I believe cooking must connect cultures responsibly, and I want my cuisine to promote sustainability while revealing invisible links between traditions. This is why I chose pork and crayfish, two iconic proteins from both Alsace and China that we can use without threatening protected species. Besides, the sides blend distinct markers from both heritages. My final objective is to create a refined dialogue between both regions and show that Alsace and China share a common culinary language.

With this signature dish I intend to elevate the octopus to its maximum using all parts of it, without any waste. The place where I work, in Tavira, octopus is one of the great treasures that exists, and I intend to make it shine!

I am a chef who returned to his origins, and the one I want to become proves that flavor, wellbeing and respect for the sea are a single path. I believe food is how we care for one another — for the people we feed and the sea that feeds us. My Basque grandparents fished in Chile, there I found comunity and learned that to cook is to give care. This dish carries that belief: a humble mackerel caught by hook, cooked with modern-tradition technique, nutrients that heal, nothing wasted.

The dish is a representation of my origins, I don't have a Spanish culinary tradition because my mother was born in Venezuela, and my father in Germany, although my grandparents and I are Andalusian.
I express in this gastronomic representation what I consider to be my causalities, the origin of my parents has had a direct effect on my concept of gastronomic culture.
There are three culinary elaborations with the same value: an Iberian consommé, a hallaca of cuttlefish and a red mullet cooked in a flame...

The idea of ​​this dish is to make you live an experience, the feeling of being in Sicily, involving sight, taste and smell, using typical preparations and products, such as Mauro seaweed. A message that I would like to convey with this dish is to make people understand the importance of their territory, look for products that are used less and less today, enhance and promote them. In recent years, the Mauro seaweed has become increasingly difficult to find, due to sea pollution.

My "Ossi di seppia" draws inspiration from Montale's work, where bones, wandering among the waves and seemingly worthless, symbolize a miserable yet significant existential condition. Like the small things in daily life, they conceal intrinsic value and beauty. By using every part of the cuttlefish, even those considered scraps, I aim to showcase their importance and convey the significance of circular cooking to reduce waste and valorise each ingredient.

With this dish, I would like to express the concept that the replacement of animal protein with vegetable protein, allows the dish to have an equal taste, thus reducing the environmental impact, being also environmentally friendly. I hope, in this way, to succeed in approaching all food intolerances and pathologies that do not always allow the guest to feel free and involved in the free and varied choice of multiple dishes.

For this contest I wanted to create a dish that had the essence of my country. For this, use several products that are not commonly used in Colombian haute cuisine but giving them a transformation, respecting their essence that reaches all palates, extolling their properties. All these foods have a great importance in the daily food of Colombians and by including them on my plate they can show the world the diversity that characterizes us as a country.

Volver is a return to my roots and to the flavors that shaped my childhood in Chocó. The socarrat tuile evokes my grandmother’s arroz atollado; the chimichurri recalls the herbs grown in azotea gardens that filled her kitchen with their aroma; and the coconut, chontaduro and fish represent my family and the place I come from. Through contemporary techniques, I seek to preserve this memory and carry it into the future, showing that tradition can evolve without losing its essence.

The dish I have thought of is a reversion of the Christmas dish that is always eaten in my house and all over Venezuela, as it represents my first experiences with the palate. I decided to fuse Venezuelan and Argentinean gastronomy, due to my migration to Argentina when I was young, I also included Asian flavours and products from Mendoza, as they reflect all the experience I have had in the last years of my life. This dish mixes my origins, the history of my life and my passions.

The inspiration for this dish came from my hometown: Ningbo, Zhejiang. There is a dish in Ningbo, Zhejiang Province called Stir-Fried Rice Cake and White Crab. The white rice cake on the plate is the original slice of rice cake with ginger oil brushed on it. Under the white rice cake are crab meat, chive, tarragon, crab paste egg meringue, and white crab bisque. The snack in the upper left corner is another dish inspired by hometown: bean curd skin-wrapped yellow croaker. I replaced the yellow croaker with crab legs and sprinkled the tomato puree powder from the Bisque making process. This dish is from my hometown, but it is presented in a way that is not traditional. I believe this presentation method can be accepted by more people.

I once read an interview stating that food waste is a fatal flaw in fine dining restaurants. Many ingredients, from purchase to plating, end up being only 50%-70% of their original quantity, with an average of 30% of ingredients being wasted. However, sustainable development is a social responsibility and obligation that we, as the new generation of young chefs, must undertake. At this moment, I utilize various cooking techniques to fully utilize ingredients and minimize waste, aiming to convey my thoughts on sustainable development as a young chef.

The idea of the dish is from my hometown, Xinjiang, which is famous for its tasty lamb. The sheep live in the mountains where the sea-buckthorn and pleurotus grow. To bring the scenery of my hometown, I put them together in the plate. Besides, I also want to introduce the diet and cooking culture to more people in the world. We hardly waste any part of an animal as a respect of the nature, and cook each part separately to make the best use of it. Thrift and sustainability are notably important in this age, I wish I could arouse more attention on them.

Denmark is the number one country of producing meat averaging 334 kg per person per year. However, as Denmark increasingly focuses on green energy and combating climate change, reducing the consumption of mass-produced meat becomes essential to lower the CO2 index. Through my dish I want to contribute to this change and adapt to a more sustainable future.

I truly believe that the most important element is to have passion for food and cooking. Having passion for what you do will help to drive you to work harder every day. For me, I have a passion for good and clean cooking. When it comes to creating dishes, my culinary philosophy is that everything on the plate has to be “clean”, flavourful, and showcase the beauty of nature

To achieve that, I believe in using the best products ranging from sea, land, and forest to create innovative dishes.

This dish is inspired by our workplaces garden. Our own grown vegetables and salads combined with chefs knowledge creates Synergy. I would like to use this to entice you choose vegetarian options more often, I believe it’s beneficial for our health and also our environment.I I believe if we consume less meat it would be meaningful change for environment. Chosing locally produced food we decrease transport waist and reduce carbon footprint. Use local produce were possible. Less is more.

Through this dish, I wanted to link my 2 countries of affection which are France, my country of origin, and Australia, the country that welcomes me.
For this, there was no question of importing products from Europe, nowadays I believe that it is up to our generation to limit the environmental impact through our cuisine.
So I looked for products grown and appreciated in each of the two countries, I then selected them individually from local producers, every single product comes from Queensland.

Growing up in New Zealand shaped my respect for seafood and the ocean. Inspired by the cultural significance of pāua and the values of stewardship that underpin New Zealand's coastal identity, this dish celebrates lobster and abalone in their fullest expression. Through classical technique and whole-animal utilisation, from sauce Américaine made from the shells to the pāua liver xo. I want to honour both the ingredient and the place that shaped me.

The story of the dish tells my story with the cuisine. I use a culinary technique from each chef I have worked with, while adding my personal touch that I associate with the products of my native country. Which gives a textured dish, full of color with this full-bodied, powerful, fragrant juice which gives character to the dish. This dish testifies to my love for my profession, the ups, and downs, the sacrifices I have had to make for the sole purpose of living my passion.

My dish is called Friend's Ear. This is a traditional Hungarian dish. The reason, why this dish is close to my heart is because my Grandmother prepared it a lot for me and my siblings when we were young and I loved it back then, too. My Grandmother is unfortunately dement now and I cannot communicate with Her anymore. I feel like this dish makes us connect again.

Does chicken feet belong in fine dining? I'm from Međimurje, a county in northern Croatia where nothing is wasted, every ingredient has value. Through my girlfriend Candace, I discovered Guyana and Guyanese food embodying the same spirit. Our meals are carb heavy for a reason: our grandparents needed energy to work outside in fields. The connection became ""Poor People's Fine Dining."" My belief is, the value of food is not determined by its cost, but by stories, traditions, and respect behind it.

My dish is my interpretation to the classic Borscht. I took my mother’s recipe and disassembled it and combined it with the local ingredients and flavor’s. The dish itself served on plates that passed in my family in inheritance.
My goal was to make a dish that combines two cultures, memories from my childhood and also has minimum waste. I tried to use all the parts of all the ingredients.

The inspiration comes from my experience in Tokyo and the memory of my childhood. I’d like to present a wonderful marriage between the ingredients from mountain and ocean, and I believe humble ingredients could also be the star. I love both French cuisine and Chinese cuisine and I believe all different cuisines have something in common. So I'd like to present some Chinese poaching technique, and the way we make chicken broth. It would be a French contemporary with a Chinese twist.

This is the dish that I first wrote down 4 years ago when I was planning to do my first ever pop up, which unfortunatelly for one reason on another I never got round to do. Now revisiting it with different techniques that I've learned along the way I'd hope to be able to present to you a well balanced and complete plate. I chose the flovours of celeriac and apple becuase I think the combination is delicious. I'd like to express how delicious vegetables can be.

Scallops & samphire are the flavour of the galette I was eating as a kid on Brittany's coast when my family was going to a "crêperie", this is why I have chosen 3 major ingredients: scallops beautiful seafood from Scotland (where I am living), samphire foraged along Scottish coast, and buckwheat reminder of the "galette de blé noir" dish of my childhood. Also by using the entirety of the scallops through the dish I want to express the importance of going toward a zero waste way of cooking.

Three Shores, One Table tells the story of the cultures that shaped my identity as a chef. Born and raised in Maracay, Venezuela, with Italian heritage and professionally developed in Miami, I use lamb as a thread connecting memory, tradition, and evolution. Through three complementary preparations, the dish explores how different culinary traditions can coexist, creating new expressions while honoring their origins. It reflects who I am today and the chef I aspire to become: one who builds bridges.

This dish represents my love for classic techniques and exploring new flavors while minimizing waste and creating a unique dining experience. I fell in love with Country Ham while living in Charleston, but we never had a good use for all the scraps. Substituting the Country Ham scraps for the more classic dried shrimp or scallops creates a slightly smokier XO that bridges Chinese cuisine and the American South, which is important to me- bridging gaps between cultures through food.

Summer in Oregon showcases the region's bounty and the resilience of its people. Inspired by my grandfather's farm, I emphasize patience, resilience, and stewardship through food. Enduring eight months of rain, the community eagerly awaits summer's vibrant arrival. Fresh produce and seafood highlight our connection to the land. My dish blends floral and coastal flavors, sourced locally and ethically, to celebrate and promote environmental preservation. This dish is a snapshot of Oregon's sprit.

My dish embodies simplicity, honesty, and refinement with three core ingredients: mackerel, dulse, and shiitake. Inspired by my parents' bakery, where simplicity was prized, I aimed to create a refined meal with minimalism at its core. Sustainability was crucial; I sourced locally from Belgium, minimizing the food supply chain and using all by-products to reduce waste. This dish reflects both my culinary ethos and dedication to sustainable practices.

As a child, poultry with crayfish was a dish that left a deep impression on me. Today, I reinterpreted it in my own way. My grandfather from Vendée raised his own poultry, while my Breton grandfather took me fishing. I grew up between these two worlds – land and sea – and this is the duality I want to express on the plate.

Breton lobster replaces the crayfish: the same spirit, drawn from my roots. My cooking is defined by bold, honest flavours, influences I embrace openly, and a desire to connect with people in a simple, direct way.

I was inspired by the future of global nutrition: I asked myself a simple question. Where is humanity going? In terms of evolutionary nutrition and fine dining I created this vegetarian course with the reflective purpose of having an eco-sustainable impact on planet earth. I was inspired in the construction of the dish by my homeland Puglia, in Italy, and I created it in a contemporary key.