Regional Finalists 2022-23

Growing up in Kuala Lumpur, Malaysia, my food education began with family trips to the nearby Da Pai Dang @Taman Midah where we bonded over many traditional dishes from various hawkers. My dish aims to sensibly capture the authentic flavours of my favorite street food and bring harmony to them on a plate through my own reinterpretation using my favourite ingredient that I like to cook with, Pigeon, as the star alongside local ingredients whilst practising sustainable zero waste cooking

I deconstructed Korean traditional dish 'Sinsello'.I tried to improve the limitations of traditional cooking methods by introducing modern techniques based on my experience working in different countries. I made this dish by composing it with the three elements of Korean traditional meal soup, rice, and banchan, side dishes. In addition, in consideration of sustainability, all ingredients are used for cooking so that no ingredients are thrown away after cooking is finished, ‘0 waste cooking’.

My grandmother is from North Korea. She came down to South Korea during the Korean War. She was a housewife, but also my chef. She cooked a lot of North Korean food. Among them, my favorite was Pheasant dishes. It's a main signature dish that unravels these foods in my own way. My grandmother's cooking for me was a memory and happiness for me. With those memories, I give people happy memories and dishes and my dream is to become a chef. If She was alive, I would like to cook this for her.

I invent this plate in honor of the hard work of my father and my mother. My father always work in the cereal world and this is a very hard work. He gives is life to this work to make shure we miss nothing. I also put carrot because when i was young my mother have a big garden with a lot of carrots and i dont really like them at this time. Now this is one of my favorite vegetable. Also the duckling is my favorite animal proteine so that’s why i wan’t to serve them. I hope you let me show you!

This dish only uses sustainable ingredients that are locally available in the winter months. When most restaurants are relying on imported produce, local farms are still providing us with root vegetables and apples. On the rocky beaches, the oysters become plump and sweet. I hope to communicate a sense of place and a sense of time, and to show that local eating goes beyond the bounty of the summer months. In the pared-back simplicity of winter there is still beauty and flavour to be found.

This dish is an ode to a traditional Québécois meal: the rotisserie chicken. Traditionally, the chicken is served with gravy, a side of creamy or traditional vinegary coleslaw, french fries, and a pain brioche.

A fragment of Quebec’s culinary culture, the history of the rotisserie chicken is also that of French Canadians. But it is also the story of my father, Abdelaziz, who was exposed to ceaseless systemic racism in the labour market and driven, by the ensuing precarity, to deliver the infamous “chef’s special” through long nights. I chose this dish in honour of the Québécois culture, but by choosing the silky chicken, a breed of hen whose black skin and beauty seldom make it a choice for cooking, I want to raise questions around speciesism and racism through my cooking.

I prepare this dish through a mixture of traditions bringing the Québécois recipe together with my Moroccan background to create a unique expression of this rotisserie meal. By selecting as many regional products as possible, I also give thanks to this welcoming land that is Québec and the riches it has to offer. These include some foods that were long used by the Indigenous People of this unceded Atikamekw territory (Nitaskinan) but forgotten in our modern cuisine. These complex and distinctive flavors here find their expression in the traditional Québécois dish.

Seasonality and regionality play a fundamental role for me when creating my dishes. I want to know where my products come from and how I can use the conditions of my environment for my dishes. Products should find their way onto a plate when they are available on the market in the best quality it can offer. The goal should always be to use the full potential of all products. Often, in the simplicity of the products lies the entire art of cooking.

With this dish I would like to express that we all have to look back sometimes when we were young and our families were cooking for us.
This dish I devote both my Grandmothers. One of them came from the Northern part of Germany that stands for the Sea part of the dish and the other Grandma came from the West part of Germany and she had a big homegrown garden. I gather two types of living and put my identity as a chef on top thus it became my Signature Dish.

My dish means tolerance and integration. In every kitchen I've worked in, there were chefs from all over the world. I have put many nationalities together on my plate and want to show how well different things can harmonize. Most people only ever think of one direction when cooking, French cuisine, Asian cuisine or whatever.
I believe there are no limits. The food has to taste good.

I’d like through this creation to express the ambivalence which exists in our «industry». Chef, sommelier,etc, all those occupations can give the image of a certain negativity : physically rude, mentally charged, long hours, fatigue, everyday issues… But once you go over those darks elements, then you discover a world full of color and freshness, sensitivity, solidarity, passion, creativity. With one very important commun duty : bringing happiness to people.
 

I would like to present this dish because it is the first dish I have offered in a starred restaurant. It is close to my heart because it took me a lot of time and trials to achieve the expected result. In addition, it represents for me a childhood memory. Indeed, my father is a baker and pastry chef. When I was little, he made pissaladières every day. I ate it often, I always loved it. Through this dish, my wish was to sublimate my father's pissaladière.

I would like to express a simple message through my dish, the reduction of food waste and pollution. Through my life experiences, between Italy and France, I combined the cultures and some of the traditional dishes, to me close, in one. I talk about classic preparation of both countries revisited on a contemporary way. I use only sustainable food like mackerel (using every part) for responsible fishing and seaweed in substitution of animal proteins. Work local, think global.

500 characters are less than I imagined so I'm retyping everything and trying to be shorter I want to say with this dish that "tutto il mondo è paese" because from an idea of an italian dish (risotto ai frutti di mare), using spanish and mexican products and preparation I'm making a dish that is present in a different way in the three countries (arroz a la tumbada in mexico and paella de mariscos in spain).
As well I choose to use bivalves and seaweed because they are sustainable products.

With this signature dish I intend to elevate the octopus to its maximum using all parts of it, without any waste. The place where I work, in Tavira, octopus is one of the great treasures that exists, and I intend to make it shine!

Kitchen and gastronomy are my life since I was young. I move to Açores , I fell in love with the gastronomy of the region and I want to try to bring and mix the oldest traditions with new technics, new vision with my personal touch , in this way I hope to put Açores gastronomy in the map , be a reference in the culinary world . Must part of the ingredients are local.
I would like to contribute , so that traditions are not forgotten, preserve and promote the azorean traditions

What makes a species local, indigenous, alien, invasive, naturalized, or imported to a specific ecology ?How do species, including humans, root in places they are not originally from? I reflect about an invasive specie, the blu crab that over-populates the Lagoon. Reminding us about the colonial history that brought corn from the Americas, I considered the meaning of becoming “naturalized” to local ecologies. I complete by using spontaneous plants that reconnects to the tidal of Venice, halophytes.

My dish showcases the biodiversity of Alta Langa using every part of the lamb, emphasizing sustainability and respect. Combining tradition and innovation, it draws inspiration from historical local recipes. This dish reflects a deep connection with the land, honoring the region's culinary heritage and presenting it in a modern, creative way.

This is a vegetarian reinterpretation of a very famous and loved dish of my territory which is beef in oil.
I believe that vegetables should be increasingly included in the menus of our restaurants to try to make people understand that vegetables can also be prepared in a tasty and particular way, and it will certainly be, in my opinion, the future of nutrition.
I would like the vegetable to become the protagonist with this dish as if it were a piece of meat.

For this contest I wanted to create a dish that had the essence of my country. For this, use several products that are not commonly used in Colombian haute cuisine but giving them a transformation, respecting their essence that reaches all palates, extolling their properties. All these foods have a great importance in the daily food of Colombians and by including them on my plate they can show the world the diversity that characterizes us as a country.

Through this dish I would like to show the importance of women as bearers of gastronomic tradition. The clay work of the potters, through which this dish was created and inspired. Emphasizing that broths and soups are considered an ancestral food that is part of the primordial baggage of the history of food, forming a perfect symbiosis that becomes food for the body and connects it with the soul.

The dish I have thought of is a reversion of the Christmas dish that is always eaten in my house and all over Venezuela, as it represents my first experiences with the palate. I decided to fuse Venezuelan and Argentinean gastronomy, due to my migration to Argentina when I was young, I also included Asian flavours and products from Mendoza, as they reflect all the experience I have had in the last years of my life. This dish mixes my origins, the history of my life and my passions.

I have been training in the culinary arts since I was 14 and that set me on my career path. It allowed me to gain a thorough understanding of Western gastronomy and culinary techniques. But I have never veered too far from what is familiar to me; Chinese cuisine is etched in my memory and I am mesmerized by it. Coupled with foreign elements, it has sparked whimsical surprises in my style of Chinese cuisine.
 

In Chinese culture, there is an old saying, "Eat what is in season," which means that the right time creates flavors, and if missed, one must wait patiently. Watching the ingredients in the liquid or the proliferation of fungi during the making of rice koji, I have been struck by the unique flavors these processes bring to food, reminding me of the preciousness of life. As a chef, I believe it is my duty to cherish this gift of life brought by time, allowing it to continue in a different form. I believe that this gift should not be used solely for profit, but should be shared with everyone, allowing them to experience its charm.

Nature selflessly sustains all things. Cuisine should also be all encompassing – discover China’s local sea habitat and combine different techniques. To realize the borderless-ness and all-encompass-ness of cuisine. Just as the sea is vast and embraces all streams. Three pillars as one. With the ocean, time and the sun as the axis, extending their reach.

Begin with a thousand-layer potato prawn dumpling amuse bouche inspired by the traditional renowned dish Longjing Shrimp. For this dish, Zhoushan prawn, known for its quality comparable to Spanish Carabinero prawn, is paired with white konbu flavoured konbucha and fried moss, and is, unintentionally, a representation of local Chinese culture of enjoying morning tea.
 

Less waste – more taste. My dish is based on an idea that I want to throw away less. Everything is utilized to its’ maximum: even herb stalks or stale bread. With a dash of creativity and practical knowledge we can lessen the burden of the never-ending food waste problem. My palate philosophy is built on natural impressions and simplicity. Therefore the balanced character of my dishes means there is no overshadowing of the natural flavours and beauty of the ingredients.

Chicken and buckwheat is one of the cheapest healthy meal options that is very common to cook among people in Estonia. However, the way it is cooked is usually very boring and not very pleasant to eat. With this dish, I tried to take these simple ingredients and create something new. I want to showcase that despite the importance of high quality ingredients, chefs are the ones who actually make the difference and create new dishes.

This dish is inspired by our workplaces garden. Our own grown vegetables and salads combined with chefs knowledge creates Synergy. I would like to use this to entice you choose vegetarian options more often, I believe it’s beneficial for our health and also our environment.I I believe if we consume less meat it would be meaningful change for environment. Chosing locally produced food we decrease transport waist and reduce carbon footprint. Use local produce were possible. Less is more.

Wapiti deer were introduced into New Zealand in 1905. Since then the feral herd escalated in numbers and volunteer groups put in huge efforts to contain them. Using wild deer in this dish, that would have otherwise been shot and left, is a key sustainable factor.
When eating wild venison I envisage walking through New Zealand bush and I am reminded of what deer eat in the wild. That is why this dish contains kawakawa, horopito and pikopiko. I am kūmara and a modern interpretation of Hāngi.

This dish is called Analogy from the river. The concept is an accumulation of values and experiences I have as a chef. This dish is my expression of my ethnicity on a plate. I intend to integrate applications of tradition and how it can stay resilient despite my migration to the other side of the world. I embrace this because this is what inspires me to visualize the futures potential to sustain life’s practices more than just the gastronomy.

My passion and mindset when creating new dishes is to create something remarkable, to accept the challenge and always being out of the comfort zone. I am personally not Vegan or Vegetarian, however I believe fruits and vegetables deserve the same respect during preparation as proteins. My guiding principles in creating this dish where to, first, create a play of different temperatures, textures, and flavours and, secondly, have a clear line, structure, and complexity.

All stories start with ... once upon a time ...
What would it be like this time to start with what it is now? Let's see the present to recreate the future.
Mankind goes through a roller coaster: pandemics, global warming, war, illegal immigrants, and refugees from hunger.
Why did it get here? Maybe the Earth wants something else from us. Maybe we don't understand that there is a message above us. Indeed, we must be able to return to where we should be, in a much better world.

My dish is called Friend's Ear. This is a traditional Hungarian dish. The reason, why this dish is close to my heart is because my Grandmother prepared it a lot for me and my siblings when we were young and I loved it back then, too. My Grandmother is unfortunately dement now and I cannot communicate with Her anymore. I feel like this dish makes us connect again.

The day Slovenia proclaimed its independence the Linden tree was planted in front of the National Assembly building, since then it became our symbol for freedom. Brown trout is the most common fish of our rivers and this dish is the love song to Slovenia. I used only trout, linden in different ways, salt, and honey to prove you can make a dish with minimum carbon footprint, humble and basic ingredients but has a complex flavor profile. Whole dish is served on a set of fallen local linden tree.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

This dish signifies my journey , it starts off with my heritage and roots - this being the base flavours of masala, Granadilla and Smokey Braai flavours ( Braai: South African cooking method ) , these flavours represent where my journey began. At the same time showcasing my beliefs of respecting the ingredients and using them with integrity and love , expressing my beliefs through food . My journey was not an easy one , but I made sure it was colourful, vibrate and bold.

With this dish, I would like to invite customers to travel into the summer season and beautiful products we can find in Suffolk, the sea bass comes from a fishmonger who work only with small boats and line caught fish. The cherries and the fennel are local from Suffolk farm This dish is a mix of the sea and country side which represent a big part part of the county identity.

I believe in Cuisine du terroir, sustainability and respect of the product.
As a young chef I consider myself responsible for preserving our nature. The dish follows the concept of “Farm to Fork”. We grow our own Wagyu cattle and the mushrooms, onions and huckleberry are grown locally which supports our farmers.
Coming from a Hindu family I have pushed all the boundaries to learn and develop my skills to work with our cows and I have immense respect for the animal that has given its life for me.

Through this dish, I aim to express a harmony of flavors and cultures, celebrating the versatility and richness of plant-based ingredients. The blend of beet root with lactofermented strawberries and blueberries highlights the art of fermentation, an age-old preservation technique. The spices, wine, and agave syrup reflect a fusion of global culinary traditions. Accompanied by the refreshing tomato water and the vibrant foam made of fermented fruits, An example of my culinary identity.

The pairings of squid & date and oyster tofu & bone expresses a yearning for a unified Korea. My father's family was forced from their home north of the 38th parallel to escape invading communist forces during the war. They arrived in the southern port city of Busan as strangers in their own land. This dish aims to harmonize the flavors of our ancestral home in the north of Korea with the textures and ingredients of the south in efforts to to tell our family's story and chart our migration.

When I started to create this dish a lot of people told me not to do it because it contains too much work.
So this explains my stubbornness and love for the work. The sweet potato also became my personal logo.

I want to express that you can make things very complex without a million technics. sometimes a pure product has his own complexities.

I want to illustrate with my dish that we can present a beautiful and flavorful plate with just a few main ingredients. With those main products at the center, I want to go for a varied and complex mouthfeel.

A plate with too many ingredients takes the attention away from your product and moreover, it does not always form a whole. With this dish I want to show that you can bring a wide variation on your plate with just a few ingredients, even without going expensive in this case.

The first message this dish gets across is a bit of a surprise to most people who taste it as even a simple lettuce plant, if well prepared, can become the tastiest dish on the menu. historically it has no specification, but another important message this dish gets across is definitely that of using all parts of a product, from a to z, from the cooking liquid that becomes a vinaigrette to the daikon waste that becomes kimchi.