Regional Finalists 2022-23

This dish is made using a "priced" protein in our ASEAN culture. It is not something we get to enjoy much of as it was expensive as well. Many farms and villagers I have visited prior to the opening of restaurant Province have hardly enjoyed a prestiges protein as duck. However, when enjoyed it is truly for a special occasion, be it a birthday, wedding or a personal achievement for the families. This dish helps to tell the story of how the different cultures come together as one in a dish.

This dish began with my love of lamb, and the hope to highlight my Hainanese heritage. Lamb has been a staple of the Hainanese diet (i.e. Dong Shan Lamb) and through this menu, it would be featured alongside ingredients and techniques that link the East with the West.
Taking inspiration from the Spice Route, also known as the Maritime Silk Roads, I have utilised spices such as cumin, fennel, Sze Chuan peppercorns and ginger, all of which were known and used in antiquity and traded in Asia.

I consider that the food with genuine sentiments is the most delicious, but at the same time, the most challenging to make— the cuisine that tells a story. Through my cuisines, I want to share with people the story weaved by my experience of travelling, precious memories and the island have nurtured me and raised me up – Taiwan. I wish my guests, by eating the warm delicacies, can be moved and realize that their days can also be pleasant and heart-warming.

With this dish, I want my diverse immigrant family background and the fact I do not identify with one food culture, to show what can be done with modern ideas and less. I want to improve myself and develop tight portion control, recipe control, “waste” utilisation, and an insane passion for food. I want to demonstrate my vision of fine dining cooking, which is to cook as local, zero waste, and as ethically as I can while still keeping deliciousness. I want to put food into bellies, not bins.

I am originally from China, my cooking philosophy is using French, Italian, and Japanese technique to showcase Chinese favor, modern Chinese food. In Chinese Sichuan cuisine, we will use rabbit as one of the main proteins. One of the most popular dishes in Sichuan cuisine is stir fry rabbit with Sichuan pepper and peanuts. I am using French technique to wrap rabbit meat, Chinese sausage, foie gras to make rabbit ballotine.

Receiving whole deer every fortnight, I noticed that the unused offal was being wasted. So I decided to put them to good use in a dish to raise awareness of food waste. My aim is to promote responsible and sustainable cooking, reflecting my passion for gastronomy and my values of respect for natural resources.

This dish represents me: german born i lived in Irleand for 10 years. North Sea Cod: Pan-seared to perfection, symbolizing my childhood fishing expeditions in northern Germany. Oyster: Representing Ireland, adorned with colors inspired by the Irish flag (green, white, and orange). Potato Salad with Beurre Blanc: Reflects my time in Hamburg and the elegance of Carls Restaurant. Mashed Peas: A nod to my Irish experience, complementing the traditional fish and chips.

With this dish, I present my homeland on a plate and showcase my Bavarian/Franconian roots with typical components from pub cuisine. My motto is to make pub cuisine special and fresh in its simplicity. Classic Bavarian cuisine is known for its heaviness and richness. However, I want to show that it can also be dynamic, light and appealing without losing its traditional charm.

I would like to show that we can eat less meat and fish and eat more vegan or vegetarian.
You can get so many nice flavours and combinations that we can all eat less animals but still get the feeling to have eaten something special

I would like to express my technique and all the skills I have learnt. I've travelled a lot but I'm still connected to Brittany, my home region, even though I've left. I'm very attached to it. Now that I've settled in the Ardèche, my dish represents both, the saltiness of Brittany and the technique of Royans raviole. I'd like to show you that I can present something that is extremely simple at first glance, even though all the fillings in it are complex.

I would like to express a simple message through my dish, the reduction of food waste and pollution. Through my life experiences, between Italy and France, I combined the cultures and some of the traditional dishes, to me close, in one. I talk about classic preparation of both countries revisited on a contemporary way. I use only sustainable food like mackerel (using every part) for responsible fishing and seaweed in substitution of animal proteins. Work local, think global.

This dish for me represents Irish culture married with classical french techniques,as an Irish chef in France it's something that's very important to me.I break down the elements of the whiskey making process into individual steps, and that utilise those steps to inspire a key ingredient on the plate, all to accompany Irish Beef Tongue."Whiskey loosening the tongue" is an Irish phrase for when we drink whiskey it helps open conversation, I'm playing on that phrase as I braise the beef in whiskey.

The dish represents my whole essence as a cook and as a person. It evokes my Italian-Granadian roots. It is a journey through the 5 senses that reflects my culinary maturity learned so far. At the same time, it aims to show diners the values that represent my cuisine. Love for the profession, respect for the raw material and sustainability with the environment.

The dish is a representation of my origins, I don't have a Spanish culinary tradition because my mother was born in Venezuela, and my father in Germany, although my grandparents and I are Andalusian.
I express in this gastronomic representation what I consider to be my causalities, the origin of my parents has had a direct effect on my concept of gastronomic culture.
There are three culinary elaborations with the same value: an Iberian consommé, a hallaca of cuttlefish and a red mullet cooked in a flame...

My dream as a chef is nothing more than to be able to take my island to the highest level of gastronomy, being happy along the way. I have expressed it in this dish, using figs, lactose and corn, which is what the pigeon feeds on during its life, making 100% use of it and accompanying it with the three most typical plants of the island, which are fennel, rosemary and salicornia. With this dish I want to show that with a few simple ingredients and your own roots you can achieve a dish of great quality.

Growing up in the province of Bergamo with my grandmothers, who were born and raised during the war, they always had the philosophy ‘ the butcher throws nothing away of an animal’. A thought that made me reflect on how many different ways there are to make full use of all that a raw material can offer us. This is why I chose to use a rabbit in its entirety and develop the dish starting with the use of a few kilos of carrots, thus managing to have no waste.

My journey starts with sweetbread, a beloved traditional dish from my homeland, often used in my professional experience. The “in carpione” pumpkin is prepared like Lake Garda fish. The langoustine is leveraged in its entirety, as the head is filled by an orangette and sided by a coconut milk-based drink that enhances its minerality. I designed this 3D-printed compostable set, which evokes the sweetbread with its texture, to raise the commensal’s awareness on the consuming of raw material.

I rapresented violence against woman. Living or cohabiting with someone who exhibits aggressive attitudes and feeling without a way of escape.
Also walk alone, sometimes, could be scare.
During COVID-19 requests for help incresed by 119% and the cage tht I rapresented makes me think of them. Trapped at home.

Exotic fruits, barks, medicinal plants, and fish were always there, together with his people, the ancestral communities guardians of their cuisine, traditions, ancient techniques.
Today gastronomy is revaluing this legacy of techniques, knowledge of most big amazonian pantry that is constantly evolving.People who live in the cities feel that the Amazon is a distant topic. But that is not the case, we are closer to it because it is a source of carbon and regulator of global climate changes.

A fufu portrait is the story of the Riquelme’s, my family from my mother’s side. In all our gatherings we’ll come together around this delicious soup made from fish head, coconut milk, curry, and root vegetables. Why just the head? Because the rest of the fish we pickled it in our family’s escobish.
As a kid, it was beautiful to see all my aunts having fun around those pots trying to feed a battalion. For me fufu and escobish represent the strong bond between my kin and the roots of my people.

Through this dish I express my trajectory and the way I created my personality in the kitchen. It has elements from different countries and experiences that have formed me as a chef. It contains elements from Mexico and Panama, because of my nationality, from Italy by virtue of my descent and gastronomic formation and from Japan after the passion I’ve acquired over Japanese cuisine due to my current job. The fusion of them all create a mix of flavors and techniques that represent me.

In Chinese culture, there is an old saying, "Eat what is in season," which means that the right time creates flavors, and if missed, one must wait patiently. Watching the ingredients in the liquid or the proliferation of fungi during the making of rice koji, I have been struck by the unique flavors these processes bring to food, reminding me of the preciousness of life. As a chef, I believe it is my duty to cherish this gift of life brought by time, allowing it to continue in a different form. I believe that this gift should not be used solely for profit, but should be shared with everyone, allowing them to experience its charm.

I once read an interview stating that food waste is a fatal flaw in fine dining restaurants. Many ingredients, from purchase to plating, end up being only 50%-70% of their original quantity, with an average of 30% of ingredients being wasted. However, sustainable development is a social responsibility and obligation that we, as the new generation of young chefs, must undertake. At this moment, I utilize various cooking techniques to fully utilize ingredients and minimize waste, aiming to convey my thoughts on sustainable development as a young chef.

This is a modern culinary expression that combines local Sichuan ingredients with traditional French cooking techniques. Through this dish, it showcases the exchange and fusion of different regions and cultures, highlighting the harmony and balance of Sichuan's natural environment. Fresh seasonal bamboo shoots, sun-drenched Daliangshan yellow potatoes, and the unique flavor of wood ginger are used, aiming to express the skills and aesthetics of modern cooking through traditional French methods.

Fish and seafood is close to my heart and this is why I chose this as main components. Blue shelled mussels filter our waters and removes nitrogen and phosphorus, which prevents eutrophication and algae concentrations. Mussels doesn’t need any backing or dung. Mine are sourced from the Swedish west coast, by Janne Bark's mussel farms outside Ljungskile. I’ve also chosen to work with Swedish cod, locally and sustainably sourced.

Knowledge makes you respect the raw materials, if you know how we produce food we also learn to treat it with respect. Knowledge is power to respect different people, countries and finally the globe.

During my time spent at Faroe Islands I create this dish with one purpose, to make something Mexican inspired but allowing myself to do it only with local resources but still following the tradition of my culture, and way of cooking.

Adapting a classic street dish like “ceviche and tostadas” to a more defined and detailed idea with technique behind and a mix of ingredients from both cultures.

I think food on these days is about adapting, connecting and evolving like all humans.

I am pleased to present a new dish that highlights some of the extraordinary ingredient we are fortunate to have in Australia, ingredients that many people may not even be aware of. This culinary creation features various cuts of lamb, each prepared using distinct techniques that enhance their unique flavours and textures. My inspiration for this dish stems from my childhood growing up on my grandfathers farm in rural Queensland.

In New Zealand we have a large number of introduced pests like wild deer that damage our native flora and fauna. By using wild venison we can create an economy for conservation by giving a financial incentive for the pest control. Hunters can sell the meat and chefs can utilise a delicious clean natural protein in the kitchen. I want to show a way to use the whole animal by ulatising the offal & bones in an approachable way for customers. The more we sell creates more money for conservation.

Wapiti deer were introduced into New Zealand in 1905. Since then the feral herd escalated in numbers and volunteer groups put in huge efforts to contain them. Using wild deer in this dish, that would have otherwise been shot and left, is a key sustainable factor.
When eating wild venison I envisage walking through New Zealand bush and I am reminded of what deer eat in the wild. That is why this dish contains kawakawa, horopito and pikopiko. I am kūmara and a modern interpretation of Hāngi.

Through “The story of Cod” I wanted to give a modern twist to a traditional Greek recipe and products that are a part of every table in Greece. The goal was to showcase Greek gastronomic culture through a combination of tradition and modernity. Wanting to highlight the quality of Greek products, I chose to include ingredients found all over Greece. The message I wanted to convey was that complexity can occur through simple things and that we should get inspired by our roots and history.

Influence of different cuisines from where I learned becoming French and Spanish my biggest influence, without leaving aside the importance of ingredients, traditions, and heritage of my country, Ecuador, taking care of local producers and craftsman, always taking full advantage and respect for the product with a touch of modernity, creating an experience of textures and sensations in each perfect bite.

The inspiration behind this dish stems from deeply rooted memories of my childhood visits to my grandmother's home. At the heart of her cooking was her rooster dish, a testament to resourcefulness and culinary creativity born out of necessity. In the old times, when resources were scarce, my grandmother relied on every part of the rooster to create the family meals. Even though the dish is now adapted to fine dining techniques, I am transported back to those moments, the essence of home.

I designed this dish as a homage to my wife and the restaurant we dream of opening which will fuse our two cultures together, NZ and SA, in a fine dining setting. I wanted to pay tribute to the lineage of bakers in my family by serving this dish with a bread, 1/2 Rewena, 1/2 Mosbollejtie, baked together to become one. I chose venison as it reminds me of fond childhood memories of hunting with my family, it's filled with a farce rolled in a South African boerewors spice to further weave our story.

This dish is all about a recreation of a happy memory growing up and getting a nostalgic feeling. Cooking and food to me is all about a mixture of new discovery and connecting to a different place, a different time, a memory, a feeling. When I was growing up my mother would take me to my nanny's place and she would always be in the kitchen making something. Two standout dishes I remember always helping her with were her Veranicki's which are a Russian perogy and borscht. We would sit for hours chopping vegetables, stuffing veranickis, and spending time together at her table. The recipe for the dough is her fathers recipe and I wanted to do a bit of a modern take on the classic dough and by adding elements of borscht through dill, beetroots, and creme fraiche throughout the dish. The duck parts of the dish are a more recent memory of moving half way around the world to come work in London at The Ritz Hotel. One of the most memorable dish's that we serve at The Ritz is the Duck a la Presse. The theater and level of service makes this more than just a dish, but creates an everlasting memory to anyone who would order it. Even the people around would remember it, it's so special.

The chosen fish for this dish is halibut, a firm fish with an oily texture. I have made a special sauce called fish caramel made from halibut bones with a good amount of sauce and nice creamy cauliflower puree with vanilla, blended until smooth. The lemon gel next to it gives a nice acidity for freshness in the dish. Along side we have New Zealand mussels grilled with butter halibut cheeks tartare with kohlrobi and fried kohlrobi leaves. Simple and tasty to enjoy!

The pairings of squid & date and oyster tofu & bone expresses a yearning for a unified Korea. My father's family was forced from their home north of the 38th parallel to escape invading communist forces during the war. They arrived in the southern port city of Busan as strangers in their own land. This dish aims to harmonize the flavors of our ancestral home in the north of Korea with the textures and ingredients of the south in efforts to to tell our family's story and chart our migration.

Through this dish, I aim to express a harmony of flavors and cultures, celebrating the versatility and richness of plant-based ingredients. The blend of beet root with lactofermented strawberries and blueberries highlights the art of fermentation, an age-old preservation technique. The spices, wine, and agave syrup reflect a fusion of global culinary traditions. Accompanied by the refreshing tomato water and the vibrant foam made of fermented fruits, An example of my culinary identity.

This dish pays homage to the fishermen and farmers of my hometown, Kerala. Full use of the ingredients grown, farmed, and fished in the region has shaped the cuisine into one that is humble and driven by the people who have been there for generations and for much of this time it hasn’t been showcased in a modern setting. Now in Chicago, I have begun to understand how hospitality and artistic expression can bring a cuisine like this to new audiences and evoke a connection to a foreign cuisine.

With this dish, I want to convey much more than just a culinary experience: I want to pass on a story of commitment to ecology and sustainable development. For me, Neirivue trout, caught in the pristine waters of the Gruyère region, embodies the tradition and quality that nature has to offer. By choosing to work with this local fish, I am committed to respecting and preserving our environment. The fresh, fragrant herbs from the Mossettes garden are at the heart of it all.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.

I was inspired by the future of global nutrition: I asked myself a simple question. Where is humanity going? In terms of evolutionary nutrition and fine dining I created this vegetarian course with the reflective purpose of having an eco-sustainable impact on planet earth. I was inspired in the construction of the dish by my homeland Puglia, in Italy, and I created it in a contemporary key.